4/10
A mixed "blessing"!
15 March 2018
Warning: Spoilers
The stage play (expanded by Vidal from his TV script) opened on Broadway at the Booth on 7 February 1957 and ran a most successful 388 performances with Cyril Ritchard (who also directed) in the lead.

COMMENT: When it relies more on the original play and less on the "talents" of Jerry Lewis, Visit to a Small Planet is moderately entertaining. Lewis fortunately is assisted by far more able comedians in Fred Clark and Gale Gordon who make the most of the risible situations and cynical dialogue. Miss Blackman is an agreeable heroine, whilst Earl Holliman has one of his meatiest parts as her jealous but not over-bright suitor. The extraneous incidents tacked on to the play, particularly a tediously long "beatnik" interlude in which Lewis gets to dance with - well not so much "with" as "around" - Barbara Lawson, were better left on the cutting-room floor. Some of the special effects are quite attractively contrived, though others are constrained by the film's obviously limited budget. Many of these effects sequences feature John Williams who seems to be acting at half steam. Taurog's direction is, as usual, competent but unexciting.

OTHER VIEWS: By the humble standards of Jerry Lewis, this is a fairly engaging comedy for half its length. But after a boring and tedious and overlong visit to a beatnik dive, the film loses just about all its steam and resorts to a replay of the romantic situations plus a mild attempt at a slapstick climax which doesn't come off. The special effects are fairly effective and the support playing is adequate though Miss Blackman is not a particularly attractive heroine either in looks or personality and players like Clark, Gordon and Cowan act in a broad caricature manner which doesn't jell so well with the less animated playing of Blackman and Holliman. Mr Lewis is a bit more restrained than usual, though director Taurog still allows him a full quota of close-ups in which he mugs away to his heart's content. Aside from a bit of by-play with a glass screen in front of the camera, the direction is ruthlessly routine. Production values are very moderate with most of the action taking place in one set. -- JHR writing as George Addison. .
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