8/10
One of Ladd's best!
8 April 2018
Warning: Spoilers
Executive producer: Alan Ladd. A Jaguar Production. Copyright 1960 by Jaguar Films. Released through Warner Bros. No New York opening. U.S. release: March 1960. U.K. release: May 1960. Australian release: 25 August 1960. Running times: 93 minutes (Aust), 91 minutes (USA), 88 minutes (UK).

NOTES: Location scenes filmed in Northern California. Film debuts of rock star Frankie Avalon, and Alan Ladd's daughter Alana.

COMMENT: Disregarding Ladd's jaded appearance, Guns of the Timberland is pretty much a typical Ladd vehicle. This time our hero sees the error of his logging ways and comes down firmly on the side of the environmentalists. This action is not only the catalyst for Romance (in the person of Jeanne Crain, looking very beautiful here) but Conflict with his longtime partner and friend, forcefully yet sympathetically played here by Gilbert Roland. A fair amount of action ensues, culminating in a rip-roaring forest fire.

A surprise was my belated discovery that the film was supposed to be set in 1895. I thought it was more or less contemporary. There's no period flavor about the movie at all. The costumes, the props, the furnishings could pass for backwoods modern. Mr. Avalon even has a couple of songs that certainly do not jive with 1895!

In addition to Mr. Roland and Miss Crain, it's always good to see Lyle Bettger. Producer Ladd doubtless cast him in the movie because of his small size, but he's big enough to run rings around Alan in the acting department. His role is comparatively small and not exactly characteristic (he's one of the goodies this time), but with his distinctive voice and forceful manner, he's a guy you remember long after Ladd's more routine dramatics have faded from memory.

The director is at his best in the action spots. These are suspensefully staged. Production values also benefit from extensive location lensing. I love the conclusion on the logging train when Ladd's companions snatch up Miss Crain and the ensemble steams off into the distance to a rousing chorus of "Cry Timber". This is the sort of stuff that director Webb does best -- including of course that frighteningly realistic forest fire in which both Ladd and Roland seem to be doing their own death-defying stunts. They're both braver men than I am, that's for sure!
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