Roddy McDowall (Ken McLaughlin), Preston Foster (Rob McLaughlin), Rita Johnson (Nell McLaughlin), James Bell (Gus), Jeff Corey (Tim Murphy), Diana Hale (Hildy), Arthur Loft (Charley Sargent), and "Misty" ("Banner").
Director: HAROLD SCHUSTER. Screenplay: Lillie Hayward. Adapted by Francis Edwards Faragoh from the 1941 novel by Mary O'Hara (pseudonym of Mary Alsop Sture-Vasa). Photo¬graphed in Technicolor by Dewey Wrigley. Film editor: Robert Fritch. Music: Alfred Newman. Art directors: Richard Day and Chester Gore. Set decorators: Thomas Little and Paul S. Fox. Costumes: Herschel. Equine supervisor: Jack Lindell. Technicolor color consultants: Natalie Kalmus and Henri Jaffa. Sound recording: Joseph E. Aiken and Harry M. Leonard. Western Electric Sound System. Producer: Ralph Dietrich.
Copyright 23 April 1943 by 20th Century-Fox Film Corp. New York opening at the Roxy: 26 May 1943. U.S. release: April 1943. Australian release: 6 January 1944. Sydney release at the Palace: 11 February 1944. Lengths: 7,970 feet, 88½ minutes (U.S.A.); 8,249 feet, 91½ minutes (Australia).
SYNOPSIS: Amiable but dreamy-headed youngster gains maturity caring for a colt of his own. Setting: A horse ranch in Wyoming, 1941.
NOTE: Sequel is Thunderhead, Son of Flicka (1945). Final film is Green Grass of Wyoming (1948).
COMMENT: With its breathtakingly beautiful color location photography, its rousing music score timed to exciting vistas of horses thundering through attractive landscapes, My Friend Flicka provides an entertainment feast for horse lovers in general, Mary O'Hara fans in particular. True, Roddy McDowall makes an ingratiating young hero and the support players are capable enough, but it's the horses that are rightly the center of attraction - and they are skillfully directed and most appealingly presented. (The scene in which "Rocket" is killed is dramatically highly effective due to the deft editing of imaginative camera angles and camera movement).
Of course the script does have a tendency to wash into sentiment (even the conclusion is not wholly up-beat, readying us for the sequel, Thunderhead, Son of Flicka). The dialogue also tends to be expressed in too obviously goodie-goodie clichés - particularly by the over-earnestly solicitous Swedish hired man, played somewhat exaggeratedly by James Bell.
Admittedly the film doesn't go overboard, but the tendency to sucrose is there, finding its least enjoyable morphosis in Mr Bell. The rest of the cast is not so noticeably infected. Roddy McDowall manages to overcome the germ completely, while Preston Foster (who seems to have more than his share of didactic and instant information lines) is such a dull (if capable) actor anyway, it doesn't really matter. The same goes for Rita Johnson who does the understanding mother to a "T".
The film is remarkably well directed by Harold Schuster. You won't find his name on any auteur lists. Director of the terrible Breakfast in Hollywood and the delightful (but routinely directed) Dinner at the Ritz, his career reached its highest point here and in Disney's So Dear to My Heart. His previous film to Flicka (signed "Charles Fuhr"), namely Bomber's Moon, is also not without interest.
Director: HAROLD SCHUSTER. Screenplay: Lillie Hayward. Adapted by Francis Edwards Faragoh from the 1941 novel by Mary O'Hara (pseudonym of Mary Alsop Sture-Vasa). Photo¬graphed in Technicolor by Dewey Wrigley. Film editor: Robert Fritch. Music: Alfred Newman. Art directors: Richard Day and Chester Gore. Set decorators: Thomas Little and Paul S. Fox. Costumes: Herschel. Equine supervisor: Jack Lindell. Technicolor color consultants: Natalie Kalmus and Henri Jaffa. Sound recording: Joseph E. Aiken and Harry M. Leonard. Western Electric Sound System. Producer: Ralph Dietrich.
Copyright 23 April 1943 by 20th Century-Fox Film Corp. New York opening at the Roxy: 26 May 1943. U.S. release: April 1943. Australian release: 6 January 1944. Sydney release at the Palace: 11 February 1944. Lengths: 7,970 feet, 88½ minutes (U.S.A.); 8,249 feet, 91½ minutes (Australia).
SYNOPSIS: Amiable but dreamy-headed youngster gains maturity caring for a colt of his own. Setting: A horse ranch in Wyoming, 1941.
NOTE: Sequel is Thunderhead, Son of Flicka (1945). Final film is Green Grass of Wyoming (1948).
COMMENT: With its breathtakingly beautiful color location photography, its rousing music score timed to exciting vistas of horses thundering through attractive landscapes, My Friend Flicka provides an entertainment feast for horse lovers in general, Mary O'Hara fans in particular. True, Roddy McDowall makes an ingratiating young hero and the support players are capable enough, but it's the horses that are rightly the center of attraction - and they are skillfully directed and most appealingly presented. (The scene in which "Rocket" is killed is dramatically highly effective due to the deft editing of imaginative camera angles and camera movement).
Of course the script does have a tendency to wash into sentiment (even the conclusion is not wholly up-beat, readying us for the sequel, Thunderhead, Son of Flicka). The dialogue also tends to be expressed in too obviously goodie-goodie clichés - particularly by the over-earnestly solicitous Swedish hired man, played somewhat exaggeratedly by James Bell.
Admittedly the film doesn't go overboard, but the tendency to sucrose is there, finding its least enjoyable morphosis in Mr Bell. The rest of the cast is not so noticeably infected. Roddy McDowall manages to overcome the germ completely, while Preston Foster (who seems to have more than his share of didactic and instant information lines) is such a dull (if capable) actor anyway, it doesn't really matter. The same goes for Rita Johnson who does the understanding mother to a "T".
The film is remarkably well directed by Harold Schuster. You won't find his name on any auteur lists. Director of the terrible Breakfast in Hollywood and the delightful (but routinely directed) Dinner at the Ritz, his career reached its highest point here and in Disney's So Dear to My Heart. His previous film to Flicka (signed "Charles Fuhr"), namely Bomber's Moon, is also not without interest.