A hic-cup in the Torchy Blane series, Torchy Blane in Panama (1938), droped the Farrell-MacLane combo in favor of Lola Lane and Paul Kelly. Despite an ingeniously fast-paced script and admirably deft direction by William Clemens, this entry was not popular with audiences who clamored for the restoration of the team, Farrell and MacLane.
Never one to disappoint the picturegoing public, producer Bryan Foy rushed his original stars into Torchy Gets Her Man (1938). On this excursion, Torchy uncovers the brains behind a counterfeiting racket. Another tightly-written script, another great assembly of top-notch character players, plus - would you believe? - a really outstanding music score.
Glenda Farrell so enjoyed getting Her Man with director Bill Beaudine who encouraged her to set a new record in speedy dialogue delivery, she specifically asked Bryan Foy to assign him to Torchy Blane in Chinatown (1939). Many critics actually regard this entry as the best in the series. Certainly the support line-up headed by Henry O'Neill, Patric Knowles and James Stephenson surpassed even the highest standards of the other entries.
Just the presence of James Stephenson alone guaranteed a high audience impact. Stephenson, who was on the verge of major stardom after his riveting performance in The Letter (1940), died in 1941 just as he was about to reach the top. A stage-trained actor with a magnetic personality, rugged yet soulful features and an expressive voice of unique timbre and resonance, Stephenson never gave a less than compelling performance in his life.
Never one to disappoint the picturegoing public, producer Bryan Foy rushed his original stars into Torchy Gets Her Man (1938). On this excursion, Torchy uncovers the brains behind a counterfeiting racket. Another tightly-written script, another great assembly of top-notch character players, plus - would you believe? - a really outstanding music score.
Glenda Farrell so enjoyed getting Her Man with director Bill Beaudine who encouraged her to set a new record in speedy dialogue delivery, she specifically asked Bryan Foy to assign him to Torchy Blane in Chinatown (1939). Many critics actually regard this entry as the best in the series. Certainly the support line-up headed by Henry O'Neill, Patric Knowles and James Stephenson surpassed even the highest standards of the other entries.
Just the presence of James Stephenson alone guaranteed a high audience impact. Stephenson, who was on the verge of major stardom after his riveting performance in The Letter (1940), died in 1941 just as he was about to reach the top. A stage-trained actor with a magnetic personality, rugged yet soulful features and an expressive voice of unique timbre and resonance, Stephenson never gave a less than compelling performance in his life.