7/10
Appealing version of the Cécile Aubry story
12 May 2018
Looking through the reviews I am wondering if I am the only one so far to have seen the original 1965 series. This film is not a remake of that series, there are quite a few changes to the plot and characters. César, Sébastien and the dog Belle remain at the core of both stories however. The series was set in an Alpine village near the French/Italian border where criminals attempt to use Belle to carry secret documents over a mountain pass to Italy. The film in contrast is set in 1943. The French Resistance is involved in guiding Jews to safety into Switzerland.

I was uncertain about the war time setting. I would have preferred not to have had Nazis in the film at all. The villain in the 1965 scenario was a crook named Norbert. The film still remains safe family viewing however as the occupying troops are only as menacing as they need to be in order to drive the plot forward. Young viewers understand just enough to know that these are the 'bad men'.

The earlier version of César was a strong principled character who supported Sébastien's belief in Belle right from the start. In the film he is a more complex and flawed person with a weakness for alcohol. Likewise, the updated Sébastien seems more mature than the earlier one. This is better as he can react to events without continually repeating the phrase "but I love Belle" all the time. The earlier Angelina was feisty but not as feisty as Margaux Chatelier who follows the modern trend for strong female role models by mucking in with the dangerous work when necessary. It is good to see Mehdi in a minor role as André. Mehdi played the original Sébastien and is the son of Cécile Aubry who wrote and created the TV series.

A couple of reviewers have commented on the 'corny' music played during the film. This is in fact the theme tune to the original series and adds a deliberate sentimental link to the earlier show for those that remember it. Non French viewers need to realise that the French have a nostalgic fondness for Cécile Aubry and the children's literature and television series she was associated with in the 1960s and early 70s. Americans go all daft for Lassie, in France it's Poly, Belle Et Sébastien and Le Jeune Fabre.

Take the kids to see this at the cinema if you think they are able to cope with subtitles. The mountain scenery is majestic. Don't make the same mistake as my mother and grandmother though. As a child they dragged me off to the flicks to see The Sound Of Music and then Fiddler On The Bloomin Roof. Luckily I recovered.
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