Balloon Land (1935)
9/10
Balloons versus the Pincushion Man
16 June 2018
While not one of my favourites, Ub Iwerks was responsible for a lot of interesting work. Especially when working with Walt Disney, his oldest friend and one of his best, and co-creating one of animation's most famous characters in Mickey Mouse. His career since opening his own studio had interest value but the quality was variable, often being successful in the animation and music but wanting in the story and variable in gags, lead characters and tone.

1933 to 1936 saw twenty five cartoons, mostly based on famous fairytales and familiar stories, as part of Iwerks's "ComiColor" series. The "ComiColor" series is very much worth watching and interesting, as is the case with many series some cartoons are better than others but there are no real animation nadirs. 1935's 'Balloon Land' is one of the very best cartoons of the series, only put 'Jack Frost' above it.

'Balloon Land' doesn't actually have much wrong with it. There is much more of a story than some of the other cartoons in the series and other Iwerks works, and feels much more than just a series of gags and events. It doesn't feel saccharine and has some substance. It is slight though and maybe a bit too simple.

However 'Balloon Land' has enough freshness to stop it from being stale. It avoids the over sentimental factor and is never dull. There are a lot of imaginative visuals and the transitions are smooth.

There are a few amusing moments that aren't too corny and never repetitive, it's very charming, is touching at times and there is a genuine likeability and cuteness without being over-sentimental. Plus the conflict is entertaining and frightening. The characters are nice enough in 'Balloon Land', the best being the deliciously wicked Pincushion Man who by default steals the cartoon. Billy Bletcher sinister vocal characterisation is a big part of why.

Furthermore, the animation is great. Meticulously detailed, fluid in drawing, vibrant in colour and often rich in imagination and visual wit. The music is cleverly and lushly orchestrated, is infectiously catchy and adds a lot to the cartoon.

Concluding, very well done. 9/10 Bethany Cox
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