10 year old T.S. Spivet lives on a remote Montana ranch. His father (Callum Keith Rennie) is an old fashion cowboy. His mother Dr. Clair (Helena Bonham Carter) has a rambling set of interests. His sister Gracie is eager to leave home where the only traffic comes from the passing trains. Ms. Jibsen (Judy Davis) from the Smithsonian calls to tell him that he won the prestigious Baird prize for a perpetual motion machine expecting an older scientist. He pretends to be speaking for his father and runs away to Washington D.C. riding the rails.
Jean-Pierre Jeunet directed one of my favorite movies, Amélie. In that movie, he is able to use Paris' romanticism for his surreal touches. In this movie, he's a bit lost. He's out of his elements. The kid is fine but nothing more. The surreal touches remain. Sometimes it's fun like the fake RV family. Other times, it's out of place and really out of time. That ranch exists only in old movies. The brother is another issue that needs clarity earlier. It's not a thing to have a revelation. Jeunet's style of movie making needs a level of unreality which clashes with this story. At times, it makes this movie look cheap. I had higher hopes.
Jean-Pierre Jeunet directed one of my favorite movies, Amélie. In that movie, he is able to use Paris' romanticism for his surreal touches. In this movie, he's a bit lost. He's out of his elements. The kid is fine but nothing more. The surreal touches remain. Sometimes it's fun like the fake RV family. Other times, it's out of place and really out of time. That ranch exists only in old movies. The brother is another issue that needs clarity earlier. It's not a thing to have a revelation. Jeunet's style of movie making needs a level of unreality which clashes with this story. At times, it makes this movie look cheap. I had higher hopes.