I stumbled upon this one by accident. This is a parody of the Disney film Fantasia, so much so that someone from Disney personally calls the narrator of the film to tell him it's been done before. The narrator then refers to a "Mr Gisney or Pisney or someone" calling. This film is not to be taken seriously. Plus, I've never seen Fantasia so I can't compare.
The strange story is as follows: An angry conductor wishes to put on a show that ties classical music with animation, and employs an orchestra of old women to play at his show. He also has a captive animator whom he uses to provide the cartoons for the film. This all acts as a bridging element between the animated segments, while our narrator tries to give a bit of background to each piece.
The first segment clues you in that the usual Italian obsession with naked women has not been forgotten in this film as we have an aging Satyr trying and failing to attract many of the nymphs frolicking about the landscape. Strangely beautiful, especially if you like trees made out of boobs, nipples everywhere, and a strangely poignant ending. I don't know what it means but it must mean something.
I'm not going through every segment but the linking segments and animated segments run into each other and you see life evolve from the bottom of a coke bottle, a monkey escape into the theatre from the same segment, a man turn himself into a cartoon, a very sad piece involving a cat having flashbacks, and the narrator having to call someone in to provide an ending to the film.
The whole thing is very tongue and cheek and, as a person who doesn't get Italian comedy, I found it actually funny too. The animation is great in certain bits too (especially the house the cat remembers recreating itself), and it's all rather moving and beautiful. Like a steak pie on a roller skate.
The strange story is as follows: An angry conductor wishes to put on a show that ties classical music with animation, and employs an orchestra of old women to play at his show. He also has a captive animator whom he uses to provide the cartoons for the film. This all acts as a bridging element between the animated segments, while our narrator tries to give a bit of background to each piece.
The first segment clues you in that the usual Italian obsession with naked women has not been forgotten in this film as we have an aging Satyr trying and failing to attract many of the nymphs frolicking about the landscape. Strangely beautiful, especially if you like trees made out of boobs, nipples everywhere, and a strangely poignant ending. I don't know what it means but it must mean something.
I'm not going through every segment but the linking segments and animated segments run into each other and you see life evolve from the bottom of a coke bottle, a monkey escape into the theatre from the same segment, a man turn himself into a cartoon, a very sad piece involving a cat having flashbacks, and the narrator having to call someone in to provide an ending to the film.
The whole thing is very tongue and cheek and, as a person who doesn't get Italian comedy, I found it actually funny too. The animation is great in certain bits too (especially the house the cat remembers recreating itself), and it's all rather moving and beautiful. Like a steak pie on a roller skate.