Thirty years after he first had an octopus slither over a sleeping woman in DEVIL FISH, Painlevé returns to the subject, with sound and beautiful color photography --- well, it would be beautiful, if it weren't for the fact they're octopuses, Painlevé's narration is dark and scary in tone and Pierre Henry's score is creepy. I'd say it's standard for him, but nothing he did was standard.
Like many of his shorts, this one concerns itself with the peculiarities of his subject, and in particular, its reproduction. I'm not going to go into details -- the IMDb has warned me about frank and accurate language before, particularly when it involves words with precisely four letters in them -- but if you want to learn about the octopus, this is a good film for it.
Like many of his shorts, this one concerns itself with the peculiarities of his subject, and in particular, its reproduction. I'm not going to go into details -- the IMDb has warned me about frank and accurate language before, particularly when it involves words with precisely four letters in them -- but if you want to learn about the octopus, this is a good film for it.