I am not familiar with Jaing Wen's work and went in with no expectations. A Taiwanese friend passed me her ticket telling me that it's Chinese with Japanese historical and cultural references, and while that is not untrue, it's not what I would describe it. An indulgent description would call it a parody or self-parody, but I don't have the background and familiarity with his work to justify it.
I felt the first jolt to run out about 10 minutes in, and it's been a struggle to watch until the end. The story is convoluted and hard to follow, dialogue is fast and furious, and while I get it that the director may be going for parody, the net effect is cringe.
The hero is nonetheless played by an actor who is supposedly some kind of sex symbol, and he appears bare chested, which may be redemptive for some audiences; it might also spark a parkour renaissance in China (or at least boost the sales of Assassin's Creed).
I felt the first jolt to run out about 10 minutes in, and it's been a struggle to watch until the end. The story is convoluted and hard to follow, dialogue is fast and furious, and while I get it that the director may be going for parody, the net effect is cringe.
The hero is nonetheless played by an actor who is supposedly some kind of sex symbol, and he appears bare chested, which may be redemptive for some audiences; it might also spark a parkour renaissance in China (or at least boost the sales of Assassin's Creed).