There are actually some good things about the maligned POLTERGEIST III including a capable director; a cool, ominous soundtrack; and a decent rudimentary story-line that makes the build-up... of the iconic little blonde girl Carol Anne now living in a glass-structured Chicago high-rise with her aunt and uncle... work for and against itself since, as the movie progresses into manic delirium, it's more of a letdown than a horrible experience from start to finish...
By the technically-important forty-five minute mark (the same time it takes KING KONG to reveal himself), a lot has happened, and it's somewhat interesting. Aunt and Uncle, who also work for the building they reside in, are at a downstairs party full of spooky-looking art pieces; the cute teenage daughter sneaked herself and her friends into the building's off-grounds swimming pool for a beer party; the late Heather O'Rourke's Carol Anne just started to get really scared of the impending ghosts... And that last example - important and inevitable as it is - is also the problem...
Imagine having difficult yet challenging obstacles to cross and climb to get across half a field to then merely/simply run like hell to the other side. POLTERGEIST III goes from intriguing and suspenseful to a redundant and annoying chase scene between the family and the ghosts, led by an ancient, white-haired Reverend Kane...
Which is even more blasphemous to the flawed yet entertaining POLTERGEIST II, by having another actor deliberately made-up to resemble the late great Julian Beck, than the new guy's voice shouting "We're Back!" to counter Carol Anne's legendary "We're Here" from the classic and timeless original. But there's another pro to this 80% con of a sequel's sequel: Heather O'Rourke, who died not long after production wrapped (that shows with overly puffy facial features) turns in a pretty great performance, having to mentally react to what she remembers as opposed to what's actually happening: the latter being more exciting to the viewer and easier for the actor: especially a really young child actor, who's often deliberately manipulated for a more effective performance...
This occurs at a school for "really smart" children, another initial location with wasted potential that includes a shrink-in-denial played by Richard Kind, wielding a novice style of contrived, atrocious delivery that makes bad horror movies so fun to bag on...
Whether that aspect was intentional or not, Kind's phony-kind Dr. Seaton is the real villain here, and even he's lost in the frenzied shuffle (along with a glorified cameo by the Columbo of ghost whisperers, Zelda Rubinstein's Tangina) where the otherwise talented VICE SQUAD and DEAD & BURIED director Gary Sherman is overcome within an ominous, neat-looking corner of purgatory that, with so much going on, he and the cast couldn't possibly paint their way out of.
By the technically-important forty-five minute mark (the same time it takes KING KONG to reveal himself), a lot has happened, and it's somewhat interesting. Aunt and Uncle, who also work for the building they reside in, are at a downstairs party full of spooky-looking art pieces; the cute teenage daughter sneaked herself and her friends into the building's off-grounds swimming pool for a beer party; the late Heather O'Rourke's Carol Anne just started to get really scared of the impending ghosts... And that last example - important and inevitable as it is - is also the problem...
Imagine having difficult yet challenging obstacles to cross and climb to get across half a field to then merely/simply run like hell to the other side. POLTERGEIST III goes from intriguing and suspenseful to a redundant and annoying chase scene between the family and the ghosts, led by an ancient, white-haired Reverend Kane...
Which is even more blasphemous to the flawed yet entertaining POLTERGEIST II, by having another actor deliberately made-up to resemble the late great Julian Beck, than the new guy's voice shouting "We're Back!" to counter Carol Anne's legendary "We're Here" from the classic and timeless original. But there's another pro to this 80% con of a sequel's sequel: Heather O'Rourke, who died not long after production wrapped (that shows with overly puffy facial features) turns in a pretty great performance, having to mentally react to what she remembers as opposed to what's actually happening: the latter being more exciting to the viewer and easier for the actor: especially a really young child actor, who's often deliberately manipulated for a more effective performance...
This occurs at a school for "really smart" children, another initial location with wasted potential that includes a shrink-in-denial played by Richard Kind, wielding a novice style of contrived, atrocious delivery that makes bad horror movies so fun to bag on...
Whether that aspect was intentional or not, Kind's phony-kind Dr. Seaton is the real villain here, and even he's lost in the frenzied shuffle (along with a glorified cameo by the Columbo of ghost whisperers, Zelda Rubinstein's Tangina) where the otherwise talented VICE SQUAD and DEAD & BURIED director Gary Sherman is overcome within an ominous, neat-looking corner of purgatory that, with so much going on, he and the cast couldn't possibly paint their way out of.