17 February 2016. There are reasons this movie might be an "eight" instead of a "seven," but there still remains the inherent fundamental weakness in its very attempt at qualitative greatness. What so great about this movie is its avoidance of the pretentious, mainstream dramatic plot outline that directs the pacing and acting and plot of the entire story. Like Sunday, Like Rain dismisses such pablum for an excellent independent style movie narrative. Yet it is the very attempt of this focus on independence that part of the story seems to lose. Unlike Lost In Translation (2003) where the focus is almost required by the story to be exclusively on two people, Frank Whaley directs his own script with a number of characters several of which seem to have some importance to the story but don't seem to get be developed very well nor tied up very well. In short a number of characters are introduced and them dumped. With Room (2015), the nature and the focus on two primary characters being the essence of the story can command the entire movie when necessary. Even years before Richard Dreyfus's Mr. Holland's Opus (1995), his portrayal in a multi-layered duo character movie The Competition (1980) regardless Dreyfus's worse actor award notwithstanding review how consistently engrossing and emotively appealing a movie can be.
Review of Like Sunday, Like Rain
