It is an incredibly romantic poem that has been made into a silver screen story. In Urdu, there is a type of poem - Ghazal - the song that lovers sing when they are apart. This movie is one which could be equated to it.
It is a village - a very small one - in which no two persons - either gender - sees eye to eye - and that includes the two who should - the Vicar and the teacher - who greatly dislike each other, and of course there is a great sinner there, the marquis of the territory, who has four 'nieces' living with him. Of course all know, and he too doesn't hide the fact about the relationship between him and his supposedly nieces. But he is incorrigible despite all the exhortation by the vicar (and he does explain why, and one can sympathise with his human - well one can call frailties).
In this village arrives a middle age and not too handsome baker (Raimu) with his lovely and young (enough to be his daughter, as he tells her later) wife, Aurelie (Ginette Leclerc). Her love/romance-less life is awakened by a young and handsome shepherd Dominique (Charles Moulin) and she elopes with him. It all happens quickly and the rest of the movie deals with the suffering of the husband and the behaviour of the villagers. First natural, contemptuous and contemptuously sarcastic towards the cuckolded husband, the matters change, when they find that the baker has stopped baking. With the 'daily Bread' now gone, the only way is to search and bring the wife back to him, and in this effort all the enemies (including the Vicar and the teacher) bury their enmity. However that, and the ending is only consequential. The main thing that makes this exquisite is the pain and suffering of the cuckolded husband - and his feeling towards the wife that has betrayed him (and his still care, and support for her) - and even though he expresses his bitterness - in the end, allegorically, but not hidden to the audience - on or off screen - but still he is ready to forgive and forget - despite the wound inflicted - unlike any of the others - including the Vicar, who does preach the 'First stone' principle, but prefers that it - the confession and pardon of the sinner-ess, if caught - takes place in some one else's vicarage, not his. Only one who probably understand and really sympathises is the devil's disciple of the area, the Marquis, but as he has hinted, he too suffered from the affliction, or may be lack of it - though it is mentioned as love of flesh by Vicar - but really it was much more subtle and beautiful. The story, a few times might seem moving slow - especially at may places where it was almost monologue of the husband - but really can't be sped up - else it would lose the poetic quality - and added to it, it has some very witty dialogues - a few could be (and was, by the Vicar), blasphemous. Came across the movie just by chance - and I wonder why this doesn't figure in the "Movies before you die" lists.
It is a village - a very small one - in which no two persons - either gender - sees eye to eye - and that includes the two who should - the Vicar and the teacher - who greatly dislike each other, and of course there is a great sinner there, the marquis of the territory, who has four 'nieces' living with him. Of course all know, and he too doesn't hide the fact about the relationship between him and his supposedly nieces. But he is incorrigible despite all the exhortation by the vicar (and he does explain why, and one can sympathise with his human - well one can call frailties).
In this village arrives a middle age and not too handsome baker (Raimu) with his lovely and young (enough to be his daughter, as he tells her later) wife, Aurelie (Ginette Leclerc). Her love/romance-less life is awakened by a young and handsome shepherd Dominique (Charles Moulin) and she elopes with him. It all happens quickly and the rest of the movie deals with the suffering of the husband and the behaviour of the villagers. First natural, contemptuous and contemptuously sarcastic towards the cuckolded husband, the matters change, when they find that the baker has stopped baking. With the 'daily Bread' now gone, the only way is to search and bring the wife back to him, and in this effort all the enemies (including the Vicar and the teacher) bury their enmity. However that, and the ending is only consequential. The main thing that makes this exquisite is the pain and suffering of the cuckolded husband - and his feeling towards the wife that has betrayed him (and his still care, and support for her) - and even though he expresses his bitterness - in the end, allegorically, but not hidden to the audience - on or off screen - but still he is ready to forgive and forget - despite the wound inflicted - unlike any of the others - including the Vicar, who does preach the 'First stone' principle, but prefers that it - the confession and pardon of the sinner-ess, if caught - takes place in some one else's vicarage, not his. Only one who probably understand and really sympathises is the devil's disciple of the area, the Marquis, but as he has hinted, he too suffered from the affliction, or may be lack of it - though it is mentioned as love of flesh by Vicar - but really it was much more subtle and beautiful. The story, a few times might seem moving slow - especially at may places where it was almost monologue of the husband - but really can't be sped up - else it would lose the poetic quality - and added to it, it has some very witty dialogues - a few could be (and was, by the Vicar), blasphemous. Came across the movie just by chance - and I wonder why this doesn't figure in the "Movies before you die" lists.