In the 60's Poland, a few days before pronouncing her vows of poverty, chastity and obedience to end her probation period and officially become a nun, Anna, an orphaned young woman, learns by chance the existence of her aunt, Wanda. The Mother Superior propose to Anna to meet Wanda. In this respect, she offers her to take all the necessary time. This encounter will turn her life upside down, via a journey of self-discovery and a road trip through rural Poland, in search of lost time. Lost forever...
Shot in gorgeous black and white, this film is a disconcerting beauty while remaining simple and pure, with a neat photography, elegant and appropriate framings highlighting the emptiness and the sadness of certain existences, and a careful treatment of natural light. Then, the two main actresses, Agata Kulesza and Agata Trzebuchowska, are prodigious and complement each other wonderfully. Finally, the script is excellently and soberly written, and, even if the film is hard and deals with an unpleasant subject, the staging is simple and anything but egghead. As a synthesis, the film is a masterpiece.
Shot in gorgeous black and white, this film is a disconcerting beauty while remaining simple and pure, with a neat photography, elegant and appropriate framings highlighting the emptiness and the sadness of certain existences, and a careful treatment of natural light. Then, the two main actresses, Agata Kulesza and Agata Trzebuchowska, are prodigious and complement each other wonderfully. Finally, the script is excellently and soberly written, and, even if the film is hard and deals with an unpleasant subject, the staging is simple and anything but egghead. As a synthesis, the film is a masterpiece.