... then it would be an even better film than it is. It is all about how the lives of several passengers intertwine on a transatlantic journey. Sally Marsh (Nancy Carroll) has gotten her old friend Chad Denby (Jack Benny) to hire her on to his entertainment troupe for the voyage so that she can get her brother Ned out of town in a hurry. Underworld kingpin Lee Lother (Sidney Blackmer) , his henchmen, and his girl are on the ship, and Lother has past ties to both Sally and Ned. Actually, Lother's best girl is actually married and thinks she has pulled a fast one on her husband with this cruise, when in fact he knows what is going on and is on the same ship with murderous intentions.
So the protagonist who weaves all of these people together? Grifter Jimmy Brett, played by top billed Gene Raymond. The problem is, Jimmy is a louse, and yet the film seems to be saying we should be rooting for him. But how could I? He makes his partner in crime (Sid Sliver) work his way across the Atlantic so Jimmy can stay in first class, he is willing to steal from anybody anywhere anytime, and just because he is getting romantic with Sally, a genuinely nice gal, I'm supposed to cut him a break? Well, I'll let you see how this all works out.
Don't expect cheapskate Jack Benny of 1940 and later. At this point he is still working on his radio persona after only two years of transitioning from film to radio and doing the occasional film. Also Patsy Kelly, part of Benny's entertainment troupe, is practically background noise she is so restrained compared to her usually noisy assertive character.
Keep an eye out for the Busby Berkeley type dance number in the film, because like Berkeley's filmed dance numbers over at Warner's, the audience couldn't possibly appreciate it unless they were hanging from the ceiling, and this is not the Poseidon Adventure.
So the protagonist who weaves all of these people together? Grifter Jimmy Brett, played by top billed Gene Raymond. The problem is, Jimmy is a louse, and yet the film seems to be saying we should be rooting for him. But how could I? He makes his partner in crime (Sid Sliver) work his way across the Atlantic so Jimmy can stay in first class, he is willing to steal from anybody anywhere anytime, and just because he is getting romantic with Sally, a genuinely nice gal, I'm supposed to cut him a break? Well, I'll let you see how this all works out.
Don't expect cheapskate Jack Benny of 1940 and later. At this point he is still working on his radio persona after only two years of transitioning from film to radio and doing the occasional film. Also Patsy Kelly, part of Benny's entertainment troupe, is practically background noise she is so restrained compared to her usually noisy assertive character.
Keep an eye out for the Busby Berkeley type dance number in the film, because like Berkeley's filmed dance numbers over at Warner's, the audience couldn't possibly appreciate it unless they were hanging from the ceiling, and this is not the Poseidon Adventure.