I recall this film very fondly from my late teenage years and was keen to revisit it, partly in preparation for a stage play adaptation we will be seeing shortly. I had studied the book at school and saw this film once in 1976 or 1977 in its first release.
I found it remarkably fresh and almost as captivating as back then. Greg Rowe as the young Mike (Storm Boy) and David Gulpilil as Fingerbone, the Aboriginal youth who befriends him is his lonely isolation were just as convincing. Somehow Peter Cummins's 'Hide away Tom Kingley still didn't quite ring true, despite the obvious challenges in such a reclusive role. I'm not sure the school scenes worked as well as they could have done either. But Tony Allison's national park ranger portrayal is wonderful, with the challenging handling of the same issues rangers face today.
But it does shows what telling the story truly, without trying sugar coat the darker bits can be so effective and provides lasting impressions.
The photography and locations are just brilliant, as are the pelicans. In fact, the capturing of these locations as they were in the mid 1970s is probably even more important now, given the environmental degradation the Coorong has suffered over the 40 years since then, with greatly reduced water flows into the lower Murray and probably declining water quality as well.
I found it remarkably fresh and almost as captivating as back then. Greg Rowe as the young Mike (Storm Boy) and David Gulpilil as Fingerbone, the Aboriginal youth who befriends him is his lonely isolation were just as convincing. Somehow Peter Cummins's 'Hide away Tom Kingley still didn't quite ring true, despite the obvious challenges in such a reclusive role. I'm not sure the school scenes worked as well as they could have done either. But Tony Allison's national park ranger portrayal is wonderful, with the challenging handling of the same issues rangers face today.
But it does shows what telling the story truly, without trying sugar coat the darker bits can be so effective and provides lasting impressions.
The photography and locations are just brilliant, as are the pelicans. In fact, the capturing of these locations as they were in the mid 1970s is probably even more important now, given the environmental degradation the Coorong has suffered over the 40 years since then, with greatly reduced water flows into the lower Murray and probably declining water quality as well.