What is Titus Welliver, coming off Bosch, doing in this turkey?
It's not only bad, it's empty, a complete waste of time, talent, setting, lighting, even the music.
A woman arrives at a luxury hotel, is shown to a gorgeous suite, and while waiting for her companion, finds cutesy notes, sexy underwear, a mask and even handcuffs for an obviously well planned romantic weekend. But it soon turns ugly, and we then discover that she is one half of an illicit affair, and that her husband, who is "into surveillance" knows about it. He has kidnapped the lover, threatened his family, and for reasons never explained, insists the lover continue the weekend without letting his wife know that he's onto her. At the same time he phones his wife and tells her the lover is a serial killer. It's all so silly that the twist at the end shouldn't come as a surprise....and it really doesn't.
What has happened to writing? Does no one recognize or demand quality any longer, thereby allowing a script like this to actually be produced? One that has no real suspense, no character development, and no point....unless it is "don't cheat" which as a message has been done far and away better in other films. The rating of two points is only for the hotel suite, which was nice.
Skip this trash.....even if it does have Titus Welliver. What was he thinking?
It's not only bad, it's empty, a complete waste of time, talent, setting, lighting, even the music.
A woman arrives at a luxury hotel, is shown to a gorgeous suite, and while waiting for her companion, finds cutesy notes, sexy underwear, a mask and even handcuffs for an obviously well planned romantic weekend. But it soon turns ugly, and we then discover that she is one half of an illicit affair, and that her husband, who is "into surveillance" knows about it. He has kidnapped the lover, threatened his family, and for reasons never explained, insists the lover continue the weekend without letting his wife know that he's onto her. At the same time he phones his wife and tells her the lover is a serial killer. It's all so silly that the twist at the end shouldn't come as a surprise....and it really doesn't.
What has happened to writing? Does no one recognize or demand quality any longer, thereby allowing a script like this to actually be produced? One that has no real suspense, no character development, and no point....unless it is "don't cheat" which as a message has been done far and away better in other films. The rating of two points is only for the hotel suite, which was nice.
Skip this trash.....even if it does have Titus Welliver. What was he thinking?