Review of Tetro

Tetro (2009)
6/10
Spain/US/Argentina co-production dealing with an intense family drama , well played and competently directed
6 November 2019
The week of his 18th birthday , Bennie (Alden Ehrenreich fim debut) travels to Buenos Aires to find his long-missing older brother . As he seeks out his older brother, the washed-out and disturbed Tetro (George Gallo) , whom he hasn't seen in years. Tetro lives with Miranda, (Maribel Verdú) a happy and always glad woman . He's introducing him as a "friend," refusing Tetro to talk about their family and some thoughts of their nasty dad cast a shadow over both brothers . But every family has a secret and every family has a past . Along the way Bennie's discovery of his worn-out brother's near-finished play might hold the answer to understanding their shared past and renewing their bond .

This an unsettling and interesting film , an intense drama concerning what past has Tetro left behind , being full of emotion , touching scenes , good feeling , marvellous dances inspired by The Hoffman Tales , The Red shoes by Michael Powell/ Emeric Pressburger and a final twist . It is a simple , dramatic and intelligent portrait of two people , focused on brothership , and sibling rivalry which a dark secret will forever change the family's fate . This is an uplifting movie at times , too , not just a tear-jerker or horrific in showing two sibling's suffering , as they attempt to regain the dignity they lost after years spent without seeing . The picture is developed in slow-moving but is pretty well realized . The flick stands out for its melancholy and poignant multilevel exploration of alienation , past records and despair . The story has a certain melancholic style , a climate of transience and sadness that spread the dispute between the two protagonists brothers . Visually it transports one into a dark, grey , nightmarish world but enriched by some colorful images thanks to some flasblacks well photographed by Mihai Malaimare Jr. , these images were shot in colour , but treated to give a slightly faded texture. The screenplay by Coppola himself , acting, direction all come together to create this extraordinary viewing experience . George Gallo gives a nice acting as the burnt-out Tetro , once-promising writer who is now a remnant of his former self , and he is is hot and cold toward his brother . His sibling is finely played by Alden Ehrenreich at his film debut as Bennie, a waiter on a cruise ship who has a layover in Buenos Aires to meet again his brother and subsequently he finds pages of Tetro's unfinished novel, then he pushes both to know his own history and to become a part of his life . Support cast is pretty good with several Argentina/Spain actors such as Maribel Verdú , Carmen Maura , Rodrigo De la Serna , Silvia Pérez , Erica Rivas , Leticia Brédice and special mention for Klaus Maria Brandauer as father .

The motion picture was compellingly directed by Francis Ford Coppola , though far from his greatest successes . Coppola explained that this one was a very "personal" project , being the kind of film he set out to make as a young man, before he was sidetracked by fame , fortune and sucessful boxoffice. Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gastby (1974), Coppola's next film was The conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather: II (1974) , rivaled the big hit of The Godfather (1972) , and won six Academy Awards, bringing Coppola Academy Awards as a producer, director and writer. Coppola then began work on his most important film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad . Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Oscars. With George Lucas, Coppola executive produced Kagemusha (1980), directed by Akira Kurosawa, and Mishima (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima . Coppola also executive produced such films as The Escape Artist (1982) , Hammett (1983) , The Black Stallion Returns (1983), Barfly (1987), The Wind (1992) , The secret garden (1993), among others .
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