Ann Romano (Bonnie Franklin) is newly liberated after divorcing her husband. For the first time, the 34 year old is in charge of her own life. She moves to Indianapolis with her rebellious daughter Julie Cooper (Mackenzie Phillips) and younger daughter Barbara Cooper (Valerie Bertinelli). The building has an intrusive super named Dwayne Schneider (Pat Harrington Jr.).
The show struggles to find the extra characters. With Mackenzie Phillips' drug problem, the show really only could maintain three main characters for the entire run. Of the ancillary characters, I like Bob Morton the most. He is the classic clueless innocent and a great butt of the joke. He and Barbara running away to Chicago is probably my best memory of the show. David Kane is probably the easiest to incorporate but Ann's love life needs more drama than he could deliver. Eventually, she ends up with Alex and Nick Handris. For some reason, Nick is abandoned and she keeps Alex to give the show some youth energy. Francine is a good work foil although she could have connected with Schneider to give her more screen time. No matter who they tried, the show never fully incorporated these extra characters. For all the attempts, I'm always surprised that the show didn't try to incorporate Mackenzie Phillips' real life drug problem. One expects the dark subject matters from a Norman Lear show and this show has that. It just doesn't have Mackenzie's troubles. Maybe it cuts too close to home.
Overall, I always find Ann too angry. It actually fits when she's fighting with Julie but whenever Julie leaves, Ann is simply angry. She needs a bit of Barbara in her role. Talking about Barbara, she isn't allowed to build on characters of her peers. She has Bob at first but she never has a long-term female best friend. It's not until Mark that she gets a partner. As for Max and Mark, they are great late show additions. They do need to stay closer to the apartment. It seems obvious that they could stay together in apartments next door. The characters need better connectivity. This is a show with the mission of showing the new world of the divorced mother. Despite the many potholes in the road, it achieves that over its nine seasons run.
The show struggles to find the extra characters. With Mackenzie Phillips' drug problem, the show really only could maintain three main characters for the entire run. Of the ancillary characters, I like Bob Morton the most. He is the classic clueless innocent and a great butt of the joke. He and Barbara running away to Chicago is probably my best memory of the show. David Kane is probably the easiest to incorporate but Ann's love life needs more drama than he could deliver. Eventually, she ends up with Alex and Nick Handris. For some reason, Nick is abandoned and she keeps Alex to give the show some youth energy. Francine is a good work foil although she could have connected with Schneider to give her more screen time. No matter who they tried, the show never fully incorporated these extra characters. For all the attempts, I'm always surprised that the show didn't try to incorporate Mackenzie Phillips' real life drug problem. One expects the dark subject matters from a Norman Lear show and this show has that. It just doesn't have Mackenzie's troubles. Maybe it cuts too close to home.
Overall, I always find Ann too angry. It actually fits when she's fighting with Julie but whenever Julie leaves, Ann is simply angry. She needs a bit of Barbara in her role. Talking about Barbara, she isn't allowed to build on characters of her peers. She has Bob at first but she never has a long-term female best friend. It's not until Mark that she gets a partner. As for Max and Mark, they are great late show additions. They do need to stay closer to the apartment. It seems obvious that they could stay together in apartments next door. The characters need better connectivity. This is a show with the mission of showing the new world of the divorced mother. Despite the many potholes in the road, it achieves that over its nine seasons run.