Historical biopic from 20th Century and director Richard Boleslawski. Ronald Colman plays the title role, a somewhat self-destructive office clerk who impulsively joins the British army, travels to India, and engineers a spectacular military victory against an Indian uprising. That's just the start of his colorful career as a Defender of the Realm against a number of native rebels and tyrants. He also struggles to balance his time between his service and his wife (Loretta Young), who wishes that he would settle down.
Colman seems well cast as the seemingly impetuous Clive, who disregards the rules and societal proprieties in the service of his country and personal glory. But his part seems poorly written at times, more childish than daring, and his performance suffers for it. As does Young, who I normally like, especially in her 30's films, but who here seems phony and a bit overdone. Director Boleslawski seems to manage well with drawing room scenes of debate and heavy dialogue, but fails miserably at the war scenes, of which there are few, a glaring absence given the material.
Oftentimes, instead of dramatizing plot developments in a compelling way, the filmmakers opted for written title cards explaining the outcomes of decisions, which inevitably leads to anti-climactic disappointment. Still, the production values are good, and there are some well-done scenes.
Colman seems well cast as the seemingly impetuous Clive, who disregards the rules and societal proprieties in the service of his country and personal glory. But his part seems poorly written at times, more childish than daring, and his performance suffers for it. As does Young, who I normally like, especially in her 30's films, but who here seems phony and a bit overdone. Director Boleslawski seems to manage well with drawing room scenes of debate and heavy dialogue, but fails miserably at the war scenes, of which there are few, a glaring absence given the material.
Oftentimes, instead of dramatizing plot developments in a compelling way, the filmmakers opted for written title cards explaining the outcomes of decisions, which inevitably leads to anti-climactic disappointment. Still, the production values are good, and there are some well-done scenes.