Czech filmmaker Jan Sverak takes long breaks in between projects, and this is only his second feature film after the Academy Award winning "Kolya" (1996). Again, the film is a collaboration between Jan Sverak the director, and his father Zdenek Sverak, who returns to deliver another memorable leading role. The older Sverak also wrote the film, which becomes more and more evident as the movie goes on.
Zdenek plays a teacher of literature, who is let go of his job, because he can't connect with the modern generation. Though a man in his 60's, he can't bring himself to stay put at home, where the only thing waiting for him is a dull marriage with his wife, who is a German language home-school tutor. So after trying a few things, Zdenek ends up getting a job at a market, where people return the empty bottles to his counter. This is where the English title "Empties" stems from in a literal sense, though it also references the individuals depicted in the film. The old man dreams of younger women and tries to fight against the bottle returning machine, that threatens to replace him at his job.
What the Sveraks have made for us is a feel good movie, one where things improve slowly but surely. It is not plot-heavy at all, nor does it feel dramatic or strenuous as a viewing experience. It is a film, that works well for older demographics. It is lively, but has nothing too shocking in it. The main character's situation may be melancholy at times, but it's not too brooding. The film goes for both funny, and contemplative moments, and in the end, it's a fairly working mix.
For myself, a younger viewer, it's a little too obvious that the film is written by an older man, who worries about what the younger generation has become. The details of the societal depiction are oft-used almost to a point of being cliches. The opening of the film, where Zdenek's character tries to explain a poem to a class of uncaring millenials sets the scene in a black and white manner, and later, the criticism of technology too is simplified and lacks weight. The film is also very loose and light-weight, as films for older people often are. This means that the political commentary wears off and all you are left with is film, that passes the time nicely, even though it's more amusing than actually funny.
What I liked best about "Vratne lahve" was the market scenes, since they carried this Kaurismäki vibe, that worked well for the narrative. Also the acting is great. The characters played by Zdenek Sverak are always a required taste, but after a while, you find some endearing elements about this protagonist too. The supporting cast is also very good. What I liked least about this film was a quick "Kolya" related fourth wall break, since it took me out of the film emotionally. (Then again, if you compare the societal depictions of the two films, you amaze how much the Czech society has changed in the last few decades, which justifies the feeling of modernity being a burden). Also the last scenes did not really conclude the narrative in a functioning way.
Zdenek plays a teacher of literature, who is let go of his job, because he can't connect with the modern generation. Though a man in his 60's, he can't bring himself to stay put at home, where the only thing waiting for him is a dull marriage with his wife, who is a German language home-school tutor. So after trying a few things, Zdenek ends up getting a job at a market, where people return the empty bottles to his counter. This is where the English title "Empties" stems from in a literal sense, though it also references the individuals depicted in the film. The old man dreams of younger women and tries to fight against the bottle returning machine, that threatens to replace him at his job.
What the Sveraks have made for us is a feel good movie, one where things improve slowly but surely. It is not plot-heavy at all, nor does it feel dramatic or strenuous as a viewing experience. It is a film, that works well for older demographics. It is lively, but has nothing too shocking in it. The main character's situation may be melancholy at times, but it's not too brooding. The film goes for both funny, and contemplative moments, and in the end, it's a fairly working mix.
For myself, a younger viewer, it's a little too obvious that the film is written by an older man, who worries about what the younger generation has become. The details of the societal depiction are oft-used almost to a point of being cliches. The opening of the film, where Zdenek's character tries to explain a poem to a class of uncaring millenials sets the scene in a black and white manner, and later, the criticism of technology too is simplified and lacks weight. The film is also very loose and light-weight, as films for older people often are. This means that the political commentary wears off and all you are left with is film, that passes the time nicely, even though it's more amusing than actually funny.
What I liked best about "Vratne lahve" was the market scenes, since they carried this Kaurismäki vibe, that worked well for the narrative. Also the acting is great. The characters played by Zdenek Sverak are always a required taste, but after a while, you find some endearing elements about this protagonist too. The supporting cast is also very good. What I liked least about this film was a quick "Kolya" related fourth wall break, since it took me out of the film emotionally. (Then again, if you compare the societal depictions of the two films, you amaze how much the Czech society has changed in the last few decades, which justifies the feeling of modernity being a burden). Also the last scenes did not really conclude the narrative in a functioning way.