J. Lee Thompson may have been only a jobbing director but he was one of the best, graduating from British studio pictures in the fifties to international hits such as "Ice Cold in Alex", "Northwest Frontier" and "The Guns of Navarone". The latter earned him an Oscar nomination and the chance to work almost exclusively in America where he made "Cape Fear", one of the best thrillers of the sixties. In 1965 he made another first-rate thriller, "Return from the Ashes", which used the War and the Holocaust as jumping off points for an almost Hitchcockian tale of murder and greed, set in Paris but filmed in a British studio with an international cast.
If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.
If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.