Review of UFO

UFO (1970–1971)
8/10
Wigs in space
8 April 2020
Apparently everyone's childhood favourite - mine too - UFO still holds up exceptionally well in terms of what it delivers - which is unadulterated, cheesy space opera nonsense with a lot of style and attitude. The show is quite obviously being held together by Ed Bishop, a competent performer who swims really well in soapy material such as this - he gets his tone just right, much like John Forsythe would do years later in "Dynasty" playing Blake Carrington. Bishop's bleached blonde hipster haircut-come-wig practically forms the basis for the entire colour scheme of the show - all silvery greys with accents of warm oranges, pastel blues and, believe it or not, even the dreaded brown looks good in its many shades here. There's a bit of hilarity too - those see-through fishnets and hairy nipples on display are a hoot, just as it is to watch how the amount of blue eyeliner grows on Michael Billington over the stretch of the show. Elsewhere you have Gabrielle Drake's terribly posh accent to enjoy, as well as a plethora of other stunningly pretty women everywhere you look, all impeccably made up, coiffed and lacquered. Also there's something reassuringly comforting in the endlessly repeated stock shots of the Interceptors taking off and disappearing behind that ridge - and still they look to me like kitchen appliances of some sort. The ever-so-sophisticated Hammond-driven theme is by the old pro Barry Gray, as is the rest of the score - all very atmospheric with loads of spacey vibraphones and Ondes Martinot on cue. And there you have it - the look and the sound of the show are still by far its strongest points, perfectly encapsulating the chic times in which the show was made. Perfect for a cozy binge.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed