Such a pity that over eighty years on this undisputed classic from the Golden Age of French cinema has attracted so few reviews but glad to see that most of them are appreciative and full of praise.
Before an unfortunate rift in their professional relationship Marcel Pagnol and Jean Giorno enjoyed one of the most fruitful partnerships in the history of film.
The most renowned of their collaborations is undoubdtedly 'The Baker's Wife' which Pagnol has adapted and considerably enlarged from an 'episode' in Giorno's novel 'Blue Boy'. The casting of Raimu who had already immortalised César in Pagnol's Marseilles trilogy is the icing on the cake.
The story is simply told. Aimable the baker is married to a much younger Aurelie. She runs off with the local hunk and Aimable refuses to bake any more bread until she returns. Faced with this crisis the villagers set about getting her back. Husband and wife are eventually reconciled in one of the greatest scenes ever put on film and Aimable resumes baking 'le pain extraordinaire'.
Raimu's performance as Aimable transcends the art of acting and voluptuous Ginette Leclerc is perfect as Aurelie. She went on to excel in 'Le Corbeau' but thereafter her career suffered from accusations of collaboration. Great supporting cast notably Fernand Charpin and Robert Vattier.
This film was a resounding success in America, not only winning the New York Film Critics Circle for Best Foreign Film but clocking up a record-breaking seventy-five week run in New York alone.
The rich characterisations plus the combination of comedy and pathos make this one of the handful of films that can truly be called sublime.
Let us leave the final words to Albert Einstein: 'It is the finest, the most human film that I have ever seen'.
Before an unfortunate rift in their professional relationship Marcel Pagnol and Jean Giorno enjoyed one of the most fruitful partnerships in the history of film.
The most renowned of their collaborations is undoubdtedly 'The Baker's Wife' which Pagnol has adapted and considerably enlarged from an 'episode' in Giorno's novel 'Blue Boy'. The casting of Raimu who had already immortalised César in Pagnol's Marseilles trilogy is the icing on the cake.
The story is simply told. Aimable the baker is married to a much younger Aurelie. She runs off with the local hunk and Aimable refuses to bake any more bread until she returns. Faced with this crisis the villagers set about getting her back. Husband and wife are eventually reconciled in one of the greatest scenes ever put on film and Aimable resumes baking 'le pain extraordinaire'.
Raimu's performance as Aimable transcends the art of acting and voluptuous Ginette Leclerc is perfect as Aurelie. She went on to excel in 'Le Corbeau' but thereafter her career suffered from accusations of collaboration. Great supporting cast notably Fernand Charpin and Robert Vattier.
This film was a resounding success in America, not only winning the New York Film Critics Circle for Best Foreign Film but clocking up a record-breaking seventy-five week run in New York alone.
The rich characterisations plus the combination of comedy and pathos make this one of the handful of films that can truly be called sublime.
Let us leave the final words to Albert Einstein: 'It is the finest, the most human film that I have ever seen'.