It seems that those movie productions that had to fight the big fight with the expectations, somehow, turned out to be timeless, not only for the fans of the genre but for the general audiences as well. That is, undeniably, the case with ROCKY not yet directed by Sylvester Stallone but by late John G Avildsen (who comes back with the direction of ROCKY V in 1990). ROCKY, after all these years and a lot of sequels made after, including the recent CREED films, proves to be one of the very best films about sport, a sportsman and, most importantly, a personality - formerly 'nobody' rising to the top-notch fame and popularity.
Not being a particular fan of boxing, I am not trying to review this film as an expert relating to some details about it. Indeed, there have been plenty of such reviews before me who praise the way the fight is being filmed here. When I recently re-watched it with my wife, I rather wanted to see it in a fresh way, without all this background knowledge and unnecessary facts what happened later. Just see Rocky as a young man, seemingly 'nobody' an underdog with no perspectives, who lives in a poor district of Philadelphia, in an almost obscure flat (he says that 'his whole place stinks') and yet, is offered a chance of a lifetime - possibility to fight the big fight with the heavy weight champion, Apollo Creed. ROCKY is unique in that determination and the strength he finds within himself because...
Sylvester Stallone portrays a man with whom he somehow identifies (that was also the moment in his career - taking a chance that appears once in a lifetime). He has true, genuine motives. His personal motives are powerfully depicted in several scenes, particularly the unforgettable relation with Mickey (played by legendary Burgess Meredith). In the scene of Mick's first visit to Rocky's stinking place, the young boxer opens up his inner self and amidst the rage of his soul, the pain of his mind, he meets a true friend who does not turn his back to him but helps him out and motivates. Mickey understands because he was a boxer himself, he did have his prime and he knows what it is to 'eat lightin' and crap thunder.' Rocky and Mick's relationship is the essence of a tutor and a student, the essence of a good coach who knows the tough rules that are inspiring, astounding, demanding - yet never imposed. This is the power that Rocky finds in himself thanks to Mick who is there to fan the flame of the desire to face the challenge. And he does that truly effectively proving that he 'ain't no bum.' Sometimes, when you watch their scenes, you just seem to forget it is played. It seems so real. Both actors feel their roles tremendously.
Sylvester Stallone, apart from the tough world of boxing, apart from being the "Italian Stallion" he called himself, portrays a truly gentle guy. That is, in a way, something we like about Rocky most. It is not a typical 'macho' pretending to have no feelings. But where can you find this truth about the man if not when facing a woman. ROCKY combines this subtlety with timidness in the scenes with Adrian (played by Talia Shire already known at the time for her supporting role in GODFATHER). Thanks to Paulie (Burt Young) who supplies Rocky with the meat for the boxing sack and the woman for loving, they go for the first date. I loved the scene he takes her to the ice rink. Mind you that this scene somehow forgets about the tough world that is in the background and is a true depiction of some genuine, pure male-female fascination. The two alone on the ice rink resemble a couple alone in the world, just for themselves. Each of their movement, each of the word they say to each other (Rocky appears to be far more talkative) is here to stay in your memory. The moment he takes her glasses off and their first kiss (which was, for Stallone pretty challenging because Talia Shire was having a flu when she was playing the scene), her visit to his flat (at first so shy and hesitating, yet she made up her mind and entered the flat giving him the credit...as he later remembers in ROCKY BALBOA), these are the moments that you really feel as a viewer. As a matter of fact, her style, her clothes indicate this inexperience and that aspect of her personality is something that Rocky is taken with. Their love grows in the following parts, indeed, but it is here when their scenes are unforgettable. Two people outside of the world that imposes certain manners and conventions: "But it's Thanksgiving. Yeah to you, but to me it's Thursday."
Sylvester Stallone, though he is not the director of this film, proves to know the psychological mechanisms that are behind the wings of the boxing rink. Imagine that Apollo Creed (played by Carl Weathers who, recently in an interview, still remembers this role as one of his key roles of the career) the master is to fight with some 'underdog' who trains on meat and dares say: "I will fight the big fight" This is the pride of a champion that is put to test, this is the situation when truly much is at stake. It is good to remember one scene here when Creed talks on TV and says to sportsmen seemingly discouraging simple people from sport: "be a thinker not a stinker." This fear of losing wide acclaim is even more visible in ROCKY II but here, the idea behind it all is not merely a sort of 'rematch' but a guy - a 'nobody' daring fight with the widely acclaimed master that Apollo is. Very well played by Mr Weathers and their fight at the end of the movie is something that you can watch in slow motion even admiring every camera shot, every emotion evoked, dwelling in the spirit of competition, yes, but foremost courage.
It would be unfair to review ROCKY and not to mention a word about the very location of the story, the city of Philadelphia. It is no coincidence that Stallone chose this place as the setting of the story: those streets where he is running, those steps that he climbs while training early in the morning, the very background of rising from the bottom. The train that he hears in his small flat, the singing and street parties that he passes (Frank Stallone among the people), the character of Marie whom Rocky discourages from smoking and the kids that leave school and run with Rocky (yes, that is the second part but Philadelphia plays its role in all parts, in particular ROCKY BALBOA where sentiment is combined with the change and new reality).
ROCKY is a lovely film with lovely music. The soundtrack is something that can be listened to for hours all over again being a source of inspiration for training, a source of finding this 'power of spirit' from within yourself, it is relaxing and extremely memorable by itself but also fits best to the scenes. Bill Conti did a terrific job here. The theme song "Gonna Fly Now" and "You Take My Heart Away" simply have a tremendous impact on the emotions of viewers.
ROCKY is a rather simple story about a simple guy who trains in a simple way and falls in love with a simple woman. Yet, perhaps that is why it is so extraordinary that may prove to stand aside the masterpieces of cinema and dare equal them.
Not being a particular fan of boxing, I am not trying to review this film as an expert relating to some details about it. Indeed, there have been plenty of such reviews before me who praise the way the fight is being filmed here. When I recently re-watched it with my wife, I rather wanted to see it in a fresh way, without all this background knowledge and unnecessary facts what happened later. Just see Rocky as a young man, seemingly 'nobody' an underdog with no perspectives, who lives in a poor district of Philadelphia, in an almost obscure flat (he says that 'his whole place stinks') and yet, is offered a chance of a lifetime - possibility to fight the big fight with the heavy weight champion, Apollo Creed. ROCKY is unique in that determination and the strength he finds within himself because...
Sylvester Stallone portrays a man with whom he somehow identifies (that was also the moment in his career - taking a chance that appears once in a lifetime). He has true, genuine motives. His personal motives are powerfully depicted in several scenes, particularly the unforgettable relation with Mickey (played by legendary Burgess Meredith). In the scene of Mick's first visit to Rocky's stinking place, the young boxer opens up his inner self and amidst the rage of his soul, the pain of his mind, he meets a true friend who does not turn his back to him but helps him out and motivates. Mickey understands because he was a boxer himself, he did have his prime and he knows what it is to 'eat lightin' and crap thunder.' Rocky and Mick's relationship is the essence of a tutor and a student, the essence of a good coach who knows the tough rules that are inspiring, astounding, demanding - yet never imposed. This is the power that Rocky finds in himself thanks to Mick who is there to fan the flame of the desire to face the challenge. And he does that truly effectively proving that he 'ain't no bum.' Sometimes, when you watch their scenes, you just seem to forget it is played. It seems so real. Both actors feel their roles tremendously.
Sylvester Stallone, apart from the tough world of boxing, apart from being the "Italian Stallion" he called himself, portrays a truly gentle guy. That is, in a way, something we like about Rocky most. It is not a typical 'macho' pretending to have no feelings. But where can you find this truth about the man if not when facing a woman. ROCKY combines this subtlety with timidness in the scenes with Adrian (played by Talia Shire already known at the time for her supporting role in GODFATHER). Thanks to Paulie (Burt Young) who supplies Rocky with the meat for the boxing sack and the woman for loving, they go for the first date. I loved the scene he takes her to the ice rink. Mind you that this scene somehow forgets about the tough world that is in the background and is a true depiction of some genuine, pure male-female fascination. The two alone on the ice rink resemble a couple alone in the world, just for themselves. Each of their movement, each of the word they say to each other (Rocky appears to be far more talkative) is here to stay in your memory. The moment he takes her glasses off and their first kiss (which was, for Stallone pretty challenging because Talia Shire was having a flu when she was playing the scene), her visit to his flat (at first so shy and hesitating, yet she made up her mind and entered the flat giving him the credit...as he later remembers in ROCKY BALBOA), these are the moments that you really feel as a viewer. As a matter of fact, her style, her clothes indicate this inexperience and that aspect of her personality is something that Rocky is taken with. Their love grows in the following parts, indeed, but it is here when their scenes are unforgettable. Two people outside of the world that imposes certain manners and conventions: "But it's Thanksgiving. Yeah to you, but to me it's Thursday."
Sylvester Stallone, though he is not the director of this film, proves to know the psychological mechanisms that are behind the wings of the boxing rink. Imagine that Apollo Creed (played by Carl Weathers who, recently in an interview, still remembers this role as one of his key roles of the career) the master is to fight with some 'underdog' who trains on meat and dares say: "I will fight the big fight" This is the pride of a champion that is put to test, this is the situation when truly much is at stake. It is good to remember one scene here when Creed talks on TV and says to sportsmen seemingly discouraging simple people from sport: "be a thinker not a stinker." This fear of losing wide acclaim is even more visible in ROCKY II but here, the idea behind it all is not merely a sort of 'rematch' but a guy - a 'nobody' daring fight with the widely acclaimed master that Apollo is. Very well played by Mr Weathers and their fight at the end of the movie is something that you can watch in slow motion even admiring every camera shot, every emotion evoked, dwelling in the spirit of competition, yes, but foremost courage.
It would be unfair to review ROCKY and not to mention a word about the very location of the story, the city of Philadelphia. It is no coincidence that Stallone chose this place as the setting of the story: those streets where he is running, those steps that he climbs while training early in the morning, the very background of rising from the bottom. The train that he hears in his small flat, the singing and street parties that he passes (Frank Stallone among the people), the character of Marie whom Rocky discourages from smoking and the kids that leave school and run with Rocky (yes, that is the second part but Philadelphia plays its role in all parts, in particular ROCKY BALBOA where sentiment is combined with the change and new reality).
ROCKY is a lovely film with lovely music. The soundtrack is something that can be listened to for hours all over again being a source of inspiration for training, a source of finding this 'power of spirit' from within yourself, it is relaxing and extremely memorable by itself but also fits best to the scenes. Bill Conti did a terrific job here. The theme song "Gonna Fly Now" and "You Take My Heart Away" simply have a tremendous impact on the emotions of viewers.
ROCKY is a rather simple story about a simple guy who trains in a simple way and falls in love with a simple woman. Yet, perhaps that is why it is so extraordinary that may prove to stand aside the masterpieces of cinema and dare equal them.