Chen Kexin painstakingly, just for this love. He spared no effort to direct the most romantic and pale emotional conflicts between the three people in the world with the most luxurious, romantic and chaotic musical performances in the world. The exquisite and exquisite lens language, superb editing skills that do not drop traces, and the shooting effect of changing colors of light and shadow, telling a simple story. The cold winter's bowl of leftover noodles allowed Sun Na (Zhou Xun), who had a career in Beijing, to get acquainted with Lin Jiandong (Jincheng Wu), a poor student in the director's department, when he was in the poorest. But in the face of reality, the pace of love cannot stop Sun Na from chasing the pace of successfully getting rid of poverty. Using Lin Jiandong's resources, Sun Na got the role of a movie and embarked on the road to stardom. Ten years later, she finally became a big star and had a relatively fixed relationship with her famous director Nie Wen. A love movie invested by Hong Kong connects these three people. Under the director's interpretation, this love movie is surprisingly similar to their current situation. Inside and outside the play, where is the play and which is the real life, sometimes it is difficult to understand. Sun Na in the play deliberately forgot everything, but in the play she played the Xiaoyu is passive amnesia. Regardless of the differences in specific details, the results are the same. In the play, the class leader died, leaving Xiao Yu feeling sad and unconscious. Outside of the play, the director who played the head of the class stood up in the pool of blood, which meant the end of the filming, and Sun Lin couldn't help each other because the film and the film ended. There are all kinds of infatuation and resentment in the drama directed by Nie Wen, and people outside Bai Bai also see clearly. As a director and an actor, the end of a film means the planning of another film, and the feelings of the real and the drama, let him put it in the film, or cut off, or stay, as if it is not his No matter what happened, at least it didn't seem to matter.
In the theater, the lights were on, and on the curtain there was a long list of staff members, announcing the end of the dream. The lingering person awakened from Xinmeng, and the kissers were reluctant to give each other a brief indulgence, and left the scene.
Without love, what is left in life? What else is in the romance film? Chen Kexin arranged for Chi Zhenxi to speak, and vaguely gave an unclear answer. Perhaps, nothing is necessary at all. Life is a big curtain opened by God, and everyone plays the protagonist in his story. In the stories of others, we can never be the protagonist. Love may be an occasional episode in this scene, it may just be a shot, or even be cut off. Without love, there is a romance. Life continues, and love carries the occasional fantasies, sustenance, and weakness that people have had since their ancestors. Therefore, without the content of love, without real investment, you need more and more complicated plots, more and more unreasonable entanglements, more and more luxurious styles. Love has become an empty symbol in the film, a signifier and a sign that pass by the meaning. Play is omnipresent, and others' lives are even their own play. Therefore, this play is set in a play, and the play in the play is still a play. To put it bluntly, life is just a play, but this play is full of flowers, unprecedented grandeur, but can not conceal Qiang Yan laughter, can not conceal the lonely intention from the bottom of my heart. For the romantics, this movie is "if love", because after that, more possibilities can be added, "If two people love each other, then ..." such a sentence can be interpreted by thousands of Earth-shattering love story. For more realists, it is "possible love", it is possible love, or there may never be love. The two possibilities are one long sigh and one kind of heart. Dead silence. Forgetting the past, unable to hold on to the future, and some of the present, even if there is no love anymore, it is necessary to bring back the excitement of the acting, singing and dancing, this is the price of love and the final value of life.
Without love, what is left in life? What else is in the romance film? Chen Kexin arranged for Chi Zhenxi to speak, and vaguely gave an unclear answer. Perhaps, nothing is necessary at all. Life is a big curtain opened by God, and everyone plays the protagonist in his story. In the stories of others, we can never be the protagonist. Love may be an occasional episode in this scene, it may just be a shot, or even be cut off. Without love, there is a romance. Life continues, and love carries the occasional fantasies, sustenance, and weakness that people have had since their ancestors. Therefore, without the content of love, without real investment, you need more and more complicated plots, more and more unreasonable entanglements, more and more luxurious styles. Love has become an empty symbol in the film, a signifier and a sign that pass by the meaning. Play is omnipresent, and others' lives are even their own play. Therefore, this play is set in a play, and the play in the play is still a play. To put it bluntly, life is just a play, but this play is full of flowers, unprecedented grandeur, but can not conceal Qiang Yan laughter, can not conceal the lonely intention from the bottom of my heart. For the romantics, this movie is "if love", because after that, more possibilities can be added, "If two people love each other, then ..." such a sentence can be interpreted by thousands of Earth-shattering love story. For more realists, it is "possible love", it is possible love, or there may never be love. The two possibilities are one long sigh and one kind of heart. Dead silence. Forgetting the past, unable to hold on to the future, and some of the present, even if there is no love anymore, it is necessary to bring back the excitement of the acting, singing and dancing, this is the price of love and the final value of life.