Pure geometric chaos in Yoshida Yoshishige's "Heroic Purgatory", which is also the second film in his Trilogy of Japanese Radicalism, produced under the aegis of Japan's legendary Art Theater Guild. This is probably my fav film of his, especially in terms of visuals. Watching it feels like falling into a trance, I keep chasing the high of watching Heroic Purgatory, but no other Yoshida movie has come close.
Yoshida's strength is without a doubt his image composition, the way he frames his shots is so meticulously done. The story centers around an engineer and his wife (played by the great Hiroshi Inagaki regular Mariko Okada, who is also Yoshida's spouse and long term collaborator) who find a lost teenager leading the engineer to recall his younger days as a political radical. As this narrative plays out, Nanako's husband tells the story of his past when they met in a time when he was involved in reformist politics. Underneath, this film explores the past, present and future of the early 1970's political radicalism in a volatile Japan. As the film progresses, the temporal space is crushed mixing past, present, and future together. Abandoning linear storytelling for an ethereal trip into a labyrinth of memories, fears and delusions Yoshida gives viewers a stylistic feast injected into a revolutionary thriller. Cinematographer Motokichi Hasegawa and editor Hiroyuki Yasuoka, presents a visual language that recalls other great films (appropriate given Yoshida's background as a film critic...he also wrote a book on the films of Yasujiro Ozu) while continually exploring new ground; there's so many compositions, so many scenes that defy the conventional expectations of filmmaking...it's absolutely intoxicating to behold. Toshi Ichiyanagi's score is also a tremendous win, giving an atmospheric almost science fiction-like vibe to accentuate the stunning visuals.
Yoshida's strength is without a doubt his image composition, the way he frames his shots is so meticulously done. The story centers around an engineer and his wife (played by the great Hiroshi Inagaki regular Mariko Okada, who is also Yoshida's spouse and long term collaborator) who find a lost teenager leading the engineer to recall his younger days as a political radical. As this narrative plays out, Nanako's husband tells the story of his past when they met in a time when he was involved in reformist politics. Underneath, this film explores the past, present and future of the early 1970's political radicalism in a volatile Japan. As the film progresses, the temporal space is crushed mixing past, present, and future together. Abandoning linear storytelling for an ethereal trip into a labyrinth of memories, fears and delusions Yoshida gives viewers a stylistic feast injected into a revolutionary thriller. Cinematographer Motokichi Hasegawa and editor Hiroyuki Yasuoka, presents a visual language that recalls other great films (appropriate given Yoshida's background as a film critic...he also wrote a book on the films of Yasujiro Ozu) while continually exploring new ground; there's so many compositions, so many scenes that defy the conventional expectations of filmmaking...it's absolutely intoxicating to behold. Toshi Ichiyanagi's score is also a tremendous win, giving an atmospheric almost science fiction-like vibe to accentuate the stunning visuals.