Escape Me Never is a remake of the 1935 version that earned Elisabeth Bergner both an Oscar and Rag nomination for Best Actress. The movies are so similar, I can't really figure out why Hollywood decided to remake it at all. And even though Errol Flynn is gorgeous and has an additive screen presence, he's not particularly likable in this one.
Ida Lupino starts the movie off being a real pill, and she barely gets any better. She pretends to be a schoolgirl, sneaks into a guided tour of a wealthy family's estate, snoops around in rooms she shouldn't, and when she gets caught, she throws a temper tantrum and insists on telling her entire life story to the wealthy family all while getting a free meal, which was her main objective anyway. She creates a huge misunderstanding and breaks up Gig Young's relationship with the wealthy, classy Eleanor Parker, because Eleanor's parents think Gig has fathered Ida's baby. In truth, Gigs brother Errol Flynn is living with Ida, even though he's not the father and has no real feelings for her. Then, when the trio goes on a quest to win Eleanor back, Errol wins her heart instead. Talk about a complicated love triangle!
This isn't the worst movie, and it has a classically dramatic storyline that's usually only found in old films. If you like needlessly dramatic plot points and unlikable, implausible romances, you can give this one a shot.
Ida Lupino starts the movie off being a real pill, and she barely gets any better. She pretends to be a schoolgirl, sneaks into a guided tour of a wealthy family's estate, snoops around in rooms she shouldn't, and when she gets caught, she throws a temper tantrum and insists on telling her entire life story to the wealthy family all while getting a free meal, which was her main objective anyway. She creates a huge misunderstanding and breaks up Gig Young's relationship with the wealthy, classy Eleanor Parker, because Eleanor's parents think Gig has fathered Ida's baby. In truth, Gigs brother Errol Flynn is living with Ida, even though he's not the father and has no real feelings for her. Then, when the trio goes on a quest to win Eleanor back, Errol wins her heart instead. Talk about a complicated love triangle!
This isn't the worst movie, and it has a classically dramatic storyline that's usually only found in old films. If you like needlessly dramatic plot points and unlikable, implausible romances, you can give this one a shot.