Alain Cuny had recently played a haunting key supporting role in Fellini's 'La Dolce Vita', which had marked the Italian cinema's decisive break with concern for the underdog to charting the dissolution of the wealthy but aimless. Here he presides over an unholy trinity at sea reminiscent of Polanski's 'Knife in the Water', the younger man this time his vulnerable young son planning to take the cloth; a prospect his satanic father Cuny views with utter abhorrence.