Have always gotten a lot of enjoyment out of this sort of film, being someone who loves films with tension and suspense and mystery/crime driven stories. 'The Small Voice' was most notable hearing of it through family friends, fellow classic/golden age film fans, for seeing Howard Keel in his film debut. In a role very different from the musical/hunky roles he specialised and was typically typecast in later on, so it was interesting to see how he would fare.
'The Small Voice' to me was well executed and more than served its main objectives well. It is not quite a great film and there was room for it to be even better than it turned out. Flaws though are few and are not that major, and while the tension and suspense may not be fever pitch exactly 'The Small Voice' is far from devoid of it. Keel was one of my main reasons for seeing the film in the first place and he is also one of the main reasons for why it works.
It is a bit of a slow starter. The early portions are a little slow and take a little too long to set up the story.
Also found the film at times more talk-heavy than it needed to be, when parts could have benefitted from more show and less tell.
For all those personal nit-picks, 'The Small Voice' does so much right. James Donald and Valerie Hobson successfully allow the viewer to root for their characters, they are in a dire situation and they play the roles appealingly that it is not hard to root for them to get out of it. Michael Balfour steals all his scenes and David Greene suitably unsettles. Best of all is Keel in a most credible debut, here credited by his actual real name Harold Keel, he is imposing and poses a genuine threat. One doesn't want to mess with him, as said very against type but effectively so (seeing a more menacing side to such a likeable performer was one of the biggest and most pleasant surprises of all my recent film viewings). The film is slickly directed.
Visually 'The Small Voice' is full of atmosphere, in a way that's both beautiful and eerie. Something present also in the not too obvious scoring. While the script and story are not always perfect, they are solidly done on the whole. The script is thought-provoking and generally tight. The story when it gets going is very compelling with enough urgency and tension to satisfy, helped largely by that Keel is so good.
Summing up, very worthwhile and well executed. 7/10
'The Small Voice' to me was well executed and more than served its main objectives well. It is not quite a great film and there was room for it to be even better than it turned out. Flaws though are few and are not that major, and while the tension and suspense may not be fever pitch exactly 'The Small Voice' is far from devoid of it. Keel was one of my main reasons for seeing the film in the first place and he is also one of the main reasons for why it works.
It is a bit of a slow starter. The early portions are a little slow and take a little too long to set up the story.
Also found the film at times more talk-heavy than it needed to be, when parts could have benefitted from more show and less tell.
For all those personal nit-picks, 'The Small Voice' does so much right. James Donald and Valerie Hobson successfully allow the viewer to root for their characters, they are in a dire situation and they play the roles appealingly that it is not hard to root for them to get out of it. Michael Balfour steals all his scenes and David Greene suitably unsettles. Best of all is Keel in a most credible debut, here credited by his actual real name Harold Keel, he is imposing and poses a genuine threat. One doesn't want to mess with him, as said very against type but effectively so (seeing a more menacing side to such a likeable performer was one of the biggest and most pleasant surprises of all my recent film viewings). The film is slickly directed.
Visually 'The Small Voice' is full of atmosphere, in a way that's both beautiful and eerie. Something present also in the not too obvious scoring. While the script and story are not always perfect, they are solidly done on the whole. The script is thought-provoking and generally tight. The story when it gets going is very compelling with enough urgency and tension to satisfy, helped largely by that Keel is so good.
Summing up, very worthwhile and well executed. 7/10