Watching silent films has been of great fascination for quite some time now and there are some truly fine ones, some revolutionary technically or in terms of subject. Not all are great and a few controversial, but there are many great or iconic ones. Among the best of them is the best of DW Griffith, and the more that has been seen of Griffith's work (short and feature films) the more interesting he has come to me. We also have Griffith regular Lillian Gish, among the greatest silent film actresses, in the lead role.
'A Romance of Happy Valley' is not one of Griffith's best, it is not quite 'Intolerance', 'True Heart Susie', 'Orphans of the Storm', 'Way Down East' and 'Broken Blossoms' level, all very good to brilliant. Much prefer it though over 'Birth of a Nation', appreciate its importance but the second half spoilt it significantly for me, and especially 'Abraham Lincoln' (with him being one of not many silent film directors to clearly not transition well into sound). 'A Romance of Happy Valley' is somewhere in the middle as far as his work goes and is a very good representation of Gish.
There is actually not a huge amount wrong with 'A Romance of Happy Valley' in my view. The story is very slight, making for some ploddy moments in the less eventful stretches, and quite old-fashioned.
Do agree too that the ending came over as far-fetched and quite weird even, actually found it rather out of place and shoehorned in and it is a rare case of me saying that an abrupt and pat ending (usually dislike this kind of ending) would have been preferable.
Gish however is wonderful as ever, she is incredibly endearing, radiates charm and has amusing comic timing. She also has the right amount of pathos, something that she conveyed better than any other actress at that time. Robert Harron gives another sensitive and nuanced performance, succeeding in making his on paper slightly bland character interesting. George Fawcett chills the bone and it is scary at how much his character gets away with. Griffith's direction has been more creative in his other films, but it is understated and shows someone that clearly knew what he was doing.
Have no qualms with the production values, the scenery is quaint and the photography has beauty and intimacy, even if this aspect is more distinct in other Griffith films. The story is not perfect, but it has a very big heart, is rich in charm and there is poignant emotion. The characters are not meaty but they're worth engaging with.
In conclusion, good if not great. 7/10
'A Romance of Happy Valley' is not one of Griffith's best, it is not quite 'Intolerance', 'True Heart Susie', 'Orphans of the Storm', 'Way Down East' and 'Broken Blossoms' level, all very good to brilliant. Much prefer it though over 'Birth of a Nation', appreciate its importance but the second half spoilt it significantly for me, and especially 'Abraham Lincoln' (with him being one of not many silent film directors to clearly not transition well into sound). 'A Romance of Happy Valley' is somewhere in the middle as far as his work goes and is a very good representation of Gish.
There is actually not a huge amount wrong with 'A Romance of Happy Valley' in my view. The story is very slight, making for some ploddy moments in the less eventful stretches, and quite old-fashioned.
Do agree too that the ending came over as far-fetched and quite weird even, actually found it rather out of place and shoehorned in and it is a rare case of me saying that an abrupt and pat ending (usually dislike this kind of ending) would have been preferable.
Gish however is wonderful as ever, she is incredibly endearing, radiates charm and has amusing comic timing. She also has the right amount of pathos, something that she conveyed better than any other actress at that time. Robert Harron gives another sensitive and nuanced performance, succeeding in making his on paper slightly bland character interesting. George Fawcett chills the bone and it is scary at how much his character gets away with. Griffith's direction has been more creative in his other films, but it is understated and shows someone that clearly knew what he was doing.
Have no qualms with the production values, the scenery is quaint and the photography has beauty and intimacy, even if this aspect is more distinct in other Griffith films. The story is not perfect, but it has a very big heart, is rich in charm and there is poignant emotion. The characters are not meaty but they're worth engaging with.
In conclusion, good if not great. 7/10