1. On a personal level, this movie is special to me because it is the only one I have ever seen when it first came out that was the entertainment provided for a kid's birthday party! In 1940, l was invited to a cousin's birthday celebration that featured the matinee showing of Kit Carson at a neighborhood movie theater. This was something rather unique and made all the more enjoyable because the audience primarily consisted of a bunch of pre-adolescent boys (and no girls!). Such matinee movie parties were much more common then than they are now.
2. I recently saw the Kit Carson film again. The experience confirmed my earlier impression of the movie. It is a pleasant narrative in the classic Western tradition that does not pretend to be representing the absolute truth. In that sense, seeing the movie is somewhat like the way many feel after eating an enjoyable Chinese restaurant meal--quite satisfied at the time but soon needing something more.
3. Perhaps the best feature of this movie is its great location photography. It may be favorably compared to the work of John Ford in his classic Stagecoach lensed just a year earlier. Monument Valley certainly was spectacular in both films!
4. This movie contains one of the very few leading man action-type roles that Jon Hall performed without resort to a "sarong" or similar exotic native-type garb. His naturalistic understated acting style was quite appealing. Too bad that he was afforded so few future opportunities to attempt similar acting challenges.
5. Hall's male co-star was a very young and inexperienced Dana Andrews. He appears as real life character John C. Fremont, with an unflattering mustache and a tight-fitting Army uniform. He labored in undistinguished movies for four more years until his breakthrough performance as the portrait-obsessed cop in the classic thriller Laura in 1944. Andrews ended up greatly surpassing Hall in popularity, and became a major leading man film actor for many years.
2. I recently saw the Kit Carson film again. The experience confirmed my earlier impression of the movie. It is a pleasant narrative in the classic Western tradition that does not pretend to be representing the absolute truth. In that sense, seeing the movie is somewhat like the way many feel after eating an enjoyable Chinese restaurant meal--quite satisfied at the time but soon needing something more.
3. Perhaps the best feature of this movie is its great location photography. It may be favorably compared to the work of John Ford in his classic Stagecoach lensed just a year earlier. Monument Valley certainly was spectacular in both films!
4. This movie contains one of the very few leading man action-type roles that Jon Hall performed without resort to a "sarong" or similar exotic native-type garb. His naturalistic understated acting style was quite appealing. Too bad that he was afforded so few future opportunities to attempt similar acting challenges.
5. Hall's male co-star was a very young and inexperienced Dana Andrews. He appears as real life character John C. Fremont, with an unflattering mustache and a tight-fitting Army uniform. He labored in undistinguished movies for four more years until his breakthrough performance as the portrait-obsessed cop in the classic thriller Laura in 1944. Andrews ended up greatly surpassing Hall in popularity, and became a major leading man film actor for many years.