Despite a fairly lukewarm critical reception, that a great director and an immensely talented cast were reasons enough to see 'Today We Live'. Really like to love quite a lot of Howard Hawks' films, he was a gifted director and a versatile and influential (certainly for other directors) one with one of his more distinctive touches being how he portrayed his female characters. Joan Crawford, Gary Cooper and Franchot Tone promise a lot individually, imagine how they would fare together.
Which actually for me was a bit of a mixed bag. In a rather strange mixed bag of a film. Not awful and watchable in a way when it finally picks up, but all involved have done and been in so much better (Crawford though did do a lot worse as well) than 'Today We Live'. Good things there are definitely, but a lot of things also could have been done a lot better. The idea was not a bad one, but the execution was on the other hand rather patchy.
'Today We Live' has good things. It looks good and is well shot in particular. William Axt's score is suitably moody. Hawks' direction does pick up when the action comes in in the second half, where he is more in his comfort zone.
Furthermore, the second half is better than the first. More confident with more story, and the action is well staged and excites. Some of the atmosphere is somewhat dream-like in a surreal sort of way. The cast are a mixed bag, but a couple are good. With a likeable Tone coming off best. He has good chemistry with Crawford, who has some affecting moments.
As well as some rather over-compensated and bland ones. Robert Young does his best but his character once again is underwritten. Gary Cooper looks rather lost and there is not much chemistry between him and Crawford. Hawks' direction doesn't seem very engaged or at ease in the early stages.
One of the worst things, maybe the worst thing, is the script. The clipped awkwardness is really quite painful and it sounds in dialogue and line delivery pretty stilted and like there wasn't much of a script at all. The story has its moments in the second half but is dull, almost drawn out in the less eventful scenes, and bland in the first. There is also some serious suspension of disbelief needed as the whole film is full of credibility straining.
Concluding, a strange mixed bag of a film. 5/10
Which actually for me was a bit of a mixed bag. In a rather strange mixed bag of a film. Not awful and watchable in a way when it finally picks up, but all involved have done and been in so much better (Crawford though did do a lot worse as well) than 'Today We Live'. Good things there are definitely, but a lot of things also could have been done a lot better. The idea was not a bad one, but the execution was on the other hand rather patchy.
'Today We Live' has good things. It looks good and is well shot in particular. William Axt's score is suitably moody. Hawks' direction does pick up when the action comes in in the second half, where he is more in his comfort zone.
Furthermore, the second half is better than the first. More confident with more story, and the action is well staged and excites. Some of the atmosphere is somewhat dream-like in a surreal sort of way. The cast are a mixed bag, but a couple are good. With a likeable Tone coming off best. He has good chemistry with Crawford, who has some affecting moments.
As well as some rather over-compensated and bland ones. Robert Young does his best but his character once again is underwritten. Gary Cooper looks rather lost and there is not much chemistry between him and Crawford. Hawks' direction doesn't seem very engaged or at ease in the early stages.
One of the worst things, maybe the worst thing, is the script. The clipped awkwardness is really quite painful and it sounds in dialogue and line delivery pretty stilted and like there wasn't much of a script at all. The story has its moments in the second half but is dull, almost drawn out in the less eventful scenes, and bland in the first. There is also some serious suspension of disbelief needed as the whole film is full of credibility straining.
Concluding, a strange mixed bag of a film. 5/10