"Capitalizing on the auditory accompaniment from Verdi's RIGOLETTO and AIDA, THE SPIDER'S STRATAGEM sustains Bertolucci's usual orotund flourishes (Ligabue's paintings in the opening credits, a metaphorical gaze into a male lion) with beguiling long takes and precipitate editing choices. If it is far less trenchant and intricate than THE CONFORMIST, that may partially be ascribed the thin material on offer, also, not helped by Brogi, albeit a fine, good-looking actor inhabiting Athos with piss and vinegar, who makes for a less compelling protagonist for audience to contemplate and engage than Trintignant in his most expressive inscrutability."
Review of The Spider's Stratagem
