The French movie Conte de printemps (1990) was shown in the U.S. with the translated title, A Tale of Springtime. It was written and directed by Éric Rohmer. (It was the first of Rohmer's Tales of Four Seasons. Appropriately, the movie bursts with color--grass, flowers, trees.)
Anne Teyssèdre portrays Jeanne, who teaches philosophy at a lycée in Paris. (I learned that philosophy is a required course in the senior year in a lycée.) Florence Darel plays Natacha, an 18-year-old student of piano at the conservatory.
For complicated reasons, Jeanne can't stay in her own apartment or in her boyfriend's apartment. That means she stays with Natacha, and then visits Natacha's vacation estate. Natacha tries to make her father and Anne lovers, and that's the basic plot of the film.
One of my cinema buff friends pointed out to me that John Sayles never makes the same movie twice. I have to agree--I just reviewed Matewan and The Secret of Roan Inish. Worlds apart--literally and figuratively.
Not so with Rohmer. He has a style, and he sticks to it. His characters don't take dramatic action. In fact, the most active thing they do is to open a book and settle down to read it. What Rohmer's characters do is talk. When they're done talking, they talk some more. It's not gossip. In one long scene there's a discussion about the finer points of Existentialism. The reason I respect Rohmer as a director is that when his characters talk, it's interesting to hear what they have to say.
Anne Teyssèdre and Florence Darel are both well known actors in France, but neither made the decision to work outside France. (However, Florence Darel got close enough to Hollywood to be propositioned by Harvey Weinstein.) Both women are fine actors.
It's a pleasure to see a film with women in both lead roles. (Not common in 1990, and still not common 30 years later.)
I enjoyed this movie and recommend it. It has a strong IMDb rating of 7.3. I thought it was even better than that, and rated it 9.
Anne Teyssèdre portrays Jeanne, who teaches philosophy at a lycée in Paris. (I learned that philosophy is a required course in the senior year in a lycée.) Florence Darel plays Natacha, an 18-year-old student of piano at the conservatory.
For complicated reasons, Jeanne can't stay in her own apartment or in her boyfriend's apartment. That means she stays with Natacha, and then visits Natacha's vacation estate. Natacha tries to make her father and Anne lovers, and that's the basic plot of the film.
One of my cinema buff friends pointed out to me that John Sayles never makes the same movie twice. I have to agree--I just reviewed Matewan and The Secret of Roan Inish. Worlds apart--literally and figuratively.
Not so with Rohmer. He has a style, and he sticks to it. His characters don't take dramatic action. In fact, the most active thing they do is to open a book and settle down to read it. What Rohmer's characters do is talk. When they're done talking, they talk some more. It's not gossip. In one long scene there's a discussion about the finer points of Existentialism. The reason I respect Rohmer as a director is that when his characters talk, it's interesting to hear what they have to say.
Anne Teyssèdre and Florence Darel are both well known actors in France, but neither made the decision to work outside France. (However, Florence Darel got close enough to Hollywood to be propositioned by Harvey Weinstein.) Both women are fine actors.
It's a pleasure to see a film with women in both lead roles. (Not common in 1990, and still not common 30 years later.)
I enjoyed this movie and recommend it. It has a strong IMDb rating of 7.3. I thought it was even better than that, and rated it 9.