4/10
And they lived Nazily ever after...
4 December 2020
It must have been ten years since I last watched a so-called Nazisploitation movie, and "Nathalie: Escape from Hell" instantly reminded me why I gave up on them. Man, these movies are terrible! After the unexpected success of "Ilsa: She-Wolf of the SS" and "Salon Kitty", all the untalented directors of the euro-exploitation industry suddenly wanted their piece of the cake as well. All these Nazisploitation flicks desperately try to be shocking, controversial and erotic, but the painful truth is they are boring, tame and downright pitiable.

The only advise I can possibly give is to enjoy the unintentional incompetence of these movies! Like, how in "Nathalie: Fugitive from Hell" the stereotypes are hilarious! The British general has a ridiculously oversized moustache, the Scottish colonel wears a kilt and the Russian officer looks like ...well, how every stereotypical Russian looks. The Nazis were supposed to be cruel and relentless, but here they are miserable creatures with only booze and perverted orgies on their minds. The beautiful doctor Nathalie must infiltrate into the Nazi brothel/castle Stillberg, to either rescue or murder the captured British spy Ingrid. Inside the castle, the Nazis also installed the most powerful radio-transmitter of the entire Third Reich. I never really understood why it's there, though. The true star of "Nathalie: Rescued from Hell", however, is Jacqueline Laurent as the Nazi-dominatrix Helga Hortz. She dresses up in leather, whips naked women in the dungeon and hysterically laughs whenever she does something cruel. Remarkably, also, how many people are shot and killed without losing a single drop of blood.

PS: note how I subtly used three different, yet "official" a.k.a. titles in this review. Fugitive from Hell, Escape from Hell, Rescued from Hell... What's the difference, right?
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