12-year old Paul falls in love for the first time, unfortunately with a violent, abusive and dangerously insane patient from his nurse mother's psychiatric ward. They run off together and tragic events ensue.
This came out of nowhere for me - I'd never heard of it before today and there seems very little written about it online. It's a very tightly made character piece, small in scale but beautifully shot and observed. The two teen leads are faultless and utterly believable at every turn, and we feel both great tenderness and sorrow for Paul's big, bewildered and tragically open heart doing everything he can to follow the logic of Fantine Harduin's chillingly mad (as in "Kill the chicken it is a spy for my uncle" mad) Gloria.
It's a film about trying to save someone who can't be saved, and trying to believe in someone who can't possibly be believed, and the harm to all around that inevitably follows when a well-meaning boy refuses to recognize the monster beside him who he only wants to worship. It can appear a very small story but Adoration tells it very well and much is communicated about the heavy cost of rose-tinted spectacles.
If it has a weakness, I guess maybe it ends a little anticlimacticly, but I also quite like just floating off and leaving them in this way, thinking about Hinkel's soul and the birds. It's enough.
As a doomed young Romeo and Juliet story, it's not in the same class as, say, Let The Right One In, Badlands, Bonnie & Clyde or Harold & Maude, but it put me in mind of all of them a little, and it does occasionally feel like "they don't make 'em like this anymore"
7.5
P.S., the repeating post credits scene - if it is not just a glitch on my copy - seems a puzzling waste of time.
This came out of nowhere for me - I'd never heard of it before today and there seems very little written about it online. It's a very tightly made character piece, small in scale but beautifully shot and observed. The two teen leads are faultless and utterly believable at every turn, and we feel both great tenderness and sorrow for Paul's big, bewildered and tragically open heart doing everything he can to follow the logic of Fantine Harduin's chillingly mad (as in "Kill the chicken it is a spy for my uncle" mad) Gloria.
It's a film about trying to save someone who can't be saved, and trying to believe in someone who can't possibly be believed, and the harm to all around that inevitably follows when a well-meaning boy refuses to recognize the monster beside him who he only wants to worship. It can appear a very small story but Adoration tells it very well and much is communicated about the heavy cost of rose-tinted spectacles.
If it has a weakness, I guess maybe it ends a little anticlimacticly, but I also quite like just floating off and leaving them in this way, thinking about Hinkel's soul and the birds. It's enough.
As a doomed young Romeo and Juliet story, it's not in the same class as, say, Let The Right One In, Badlands, Bonnie & Clyde or Harold & Maude, but it put me in mind of all of them a little, and it does occasionally feel like "they don't make 'em like this anymore"
7.5
P.S., the repeating post credits scene - if it is not just a glitch on my copy - seems a puzzling waste of time.