The rivalry between George Laybourne and The Great Vance in the music hall era.
I enjoyed this for its affectionate look into a bygone era of British culture, it's amusing characters and impressive set pieces.
The plot is a character-driven and fairly nonintrusive excuse to show a number of musical hall sequences and songs relating to the era. It is very much a film of two halves, with the rivalry between the two great musical hall stars in the first half and the struggle to keep the musical halls open taking focus in the second. A sub-plot involves a fairly uninspired romance.
There are a number of pub and musical hall set-pieces that work very well to capture the tone of the movie and it's subject matter. I found all these scenes highly entertaining. I try to imagine myself watching this in 1944 when the world was in devastation and in need of some positive escapism. It hardly feels authentic Victorian Britain, bit it certainly makes you want to go out, have a few drinks and enjoy yourself in a crowd of friends.
The songs are all good fun but pretty forgettable in the grand scheme of movie music. For me it's all the social settings, high energy, humour and enthusiasm that give it charm.
Performances are mixed, with charismatic stars Tommy Trinder and Stanley Holloway excellent as the above mentioned protagonists, but for me its Betty Warren who holds it altogether with a quite dominant turn as Bessie Bellwood. Most supporting roles are fairly uninspired, however Jean Kent does have a certain presence Dolly.
It's remarkable when you consider that this era depicts entertainment that predates radio broadcasting. Outside of church, this would have been a victorian equivalent of screen time. You look around at the world now and marvel at how much investment and technology has gone into providing people with that continual fix in the palm of their hand.
For me its 6.5/10, but I round upwards.
I enjoyed this for its affectionate look into a bygone era of British culture, it's amusing characters and impressive set pieces.
The plot is a character-driven and fairly nonintrusive excuse to show a number of musical hall sequences and songs relating to the era. It is very much a film of two halves, with the rivalry between the two great musical hall stars in the first half and the struggle to keep the musical halls open taking focus in the second. A sub-plot involves a fairly uninspired romance.
There are a number of pub and musical hall set-pieces that work very well to capture the tone of the movie and it's subject matter. I found all these scenes highly entertaining. I try to imagine myself watching this in 1944 when the world was in devastation and in need of some positive escapism. It hardly feels authentic Victorian Britain, bit it certainly makes you want to go out, have a few drinks and enjoy yourself in a crowd of friends.
The songs are all good fun but pretty forgettable in the grand scheme of movie music. For me it's all the social settings, high energy, humour and enthusiasm that give it charm.
Performances are mixed, with charismatic stars Tommy Trinder and Stanley Holloway excellent as the above mentioned protagonists, but for me its Betty Warren who holds it altogether with a quite dominant turn as Bessie Bellwood. Most supporting roles are fairly uninspired, however Jean Kent does have a certain presence Dolly.
It's remarkable when you consider that this era depicts entertainment that predates radio broadcasting. Outside of church, this would have been a victorian equivalent of screen time. You look around at the world now and marvel at how much investment and technology has gone into providing people with that continual fix in the palm of their hand.
For me its 6.5/10, but I round upwards.