To my knowledge, this is the first film I've seen that is entirely filmed in Nova Scotia, Canada, or at least the first one that puts forward the region so prominently. I must say I'm deeply impressed by the beauty of this area, and that alone made "Sweet Angel Mine" worth viewing. One the other hand, one could state that, if the filming locations are the best part of a thriller, there's something seriously wrong with the film itself.
"Sweet Angel Mine" is a bizarre and semi-ambitious mix between coming-of-age, occult thriller and feminist drama. A young Londoner on a motorcycle cruises across the woods and small towns of Nova Scotia, hoping to unravel the mystery of what happened to his father, who disappeared here many years ago. The answers he seeks might be found in an isolated farmhouse run by a family of women (spooky grandma, enigmatic mother, pure daughter), but the boy is more interested in diving into the haystack with the daughter; - and maybe also the mother. The script isn't great, but nevertheless compelling enough to keep you interested. Also, whenever the story tends to get boring or overly pointless, director Curtis Radclyffe effectively inserts a bit of sex or macho bar fights. The ending is foreseeable, at least if you are into this sort of cinema, but it's pleasingly grim and mean-spirited. Decent performances, too, most notably from the gorgeous Alberta Watson ("The Keep", "The Soldier")
"Sweet Angel Mine" is a bizarre and semi-ambitious mix between coming-of-age, occult thriller and feminist drama. A young Londoner on a motorcycle cruises across the woods and small towns of Nova Scotia, hoping to unravel the mystery of what happened to his father, who disappeared here many years ago. The answers he seeks might be found in an isolated farmhouse run by a family of women (spooky grandma, enigmatic mother, pure daughter), but the boy is more interested in diving into the haystack with the daughter; - and maybe also the mother. The script isn't great, but nevertheless compelling enough to keep you interested. Also, whenever the story tends to get boring or overly pointless, director Curtis Radclyffe effectively inserts a bit of sex or macho bar fights. The ending is foreseeable, at least if you are into this sort of cinema, but it's pleasingly grim and mean-spirited. Decent performances, too, most notably from the gorgeous Alberta Watson ("The Keep", "The Soldier")