Big, glossy drama about three men (and their wives) competing for a top job at a glossy auto company in glossy New York City. This is one of many of those mid-century films that touted NYC as the greatest city in the world what with its wealth of money and arts and society and all those tall buildings.
In this one Clifton Webb plays the imperial head of the Gifford Auto Co., which boasts its cars are "luxury on wheels." He's interviewing three company men for the general manager job. There's the rather grim Van Heflin from Dallas, easy-going Cornel Wilde from Kansas City, and the up-from-the-ranks Fred MacMurray from Philadelphia. Each one wants ... or thinks he wants ... the big job.
Then there are the wives. Webb tells us over and over again the the manager's wife must also be a special type of gracious thing who'll fit into the Long Island set. Heflin's wife is a man-eater and a social climber (Arline Dahl), Wilde's wife is the homey but not-so-dumb type (June Allyson), and MacMurray's is the salt-of-the-earth type (Lauren Bacall).
Each couple has some private domestic dramas to deal with as they are dazzled by Emerald City and as the men jockey for position. Dahl heads right for the prize (Webb) while Bacall and Allyson deal with life in the big city. Funniest scene has the latter two going to a "bargain basement" to buy an evening dress for Allyson and almost being killed in the mob of hysterical women. Film culminates in a weekend party at Webb's Long Island estate where his sister (Margalo Gilmore) assesses the wives.
As the title suggests, the women basically take the story while the men drone their way through the auto factory etc. And while the men are pretty much forgettable, the gals (and Webb) have a high old time. Allyson and Bacall are especially good. As for the cars, the various models are Fords and Mercurys and Lincolns (minus any emblems) are showcased and the story includes one of those "cars of tomorrow" scenes that's quite fascinating.
Also in the cast are Elliott Reid as the nephew, Alan Reed as the Italian restaurateur, and look fast for Billie Bird, Kathryn Card, and Elinor Donahue in the bargain basement.
Highly enjoyable mid-century drama with a dash of comedy.
In this one Clifton Webb plays the imperial head of the Gifford Auto Co., which boasts its cars are "luxury on wheels." He's interviewing three company men for the general manager job. There's the rather grim Van Heflin from Dallas, easy-going Cornel Wilde from Kansas City, and the up-from-the-ranks Fred MacMurray from Philadelphia. Each one wants ... or thinks he wants ... the big job.
Then there are the wives. Webb tells us over and over again the the manager's wife must also be a special type of gracious thing who'll fit into the Long Island set. Heflin's wife is a man-eater and a social climber (Arline Dahl), Wilde's wife is the homey but not-so-dumb type (June Allyson), and MacMurray's is the salt-of-the-earth type (Lauren Bacall).
Each couple has some private domestic dramas to deal with as they are dazzled by Emerald City and as the men jockey for position. Dahl heads right for the prize (Webb) while Bacall and Allyson deal with life in the big city. Funniest scene has the latter two going to a "bargain basement" to buy an evening dress for Allyson and almost being killed in the mob of hysterical women. Film culminates in a weekend party at Webb's Long Island estate where his sister (Margalo Gilmore) assesses the wives.
As the title suggests, the women basically take the story while the men drone their way through the auto factory etc. And while the men are pretty much forgettable, the gals (and Webb) have a high old time. Allyson and Bacall are especially good. As for the cars, the various models are Fords and Mercurys and Lincolns (minus any emblems) are showcased and the story includes one of those "cars of tomorrow" scenes that's quite fascinating.
Also in the cast are Elliott Reid as the nephew, Alan Reed as the Italian restaurateur, and look fast for Billie Bird, Kathryn Card, and Elinor Donahue in the bargain basement.
Highly enjoyable mid-century drama with a dash of comedy.