A lavish Technicolor potboiler shot by Leon Shamroy, who later collected that year's Oscar for colour cinematography for 'Wilson'; although here the most spectacular scenes are obviously the work of Otto Brower's second unit, with the close ups of the leads shot back at the studio.
It commendably takes the side of the American Indian (represented here by Anthony Quinn and Linda Darnell, the latter wearing lots of makeup and the former very little of anything) against the vested financial interests back East, and also gives the plight of the buffalo a nod.
Maureen O'Hara thought her first western "would be forgettable, but it turned out to be one of the biggest moneymakers 20th Century-Fox had that year" and that Joel McCrea although "a very nice man, a good actor, but not rugged like Duke or Brian Keith". He's likeable, however and as usual gives the film heart.
It commendably takes the side of the American Indian (represented here by Anthony Quinn and Linda Darnell, the latter wearing lots of makeup and the former very little of anything) against the vested financial interests back East, and also gives the plight of the buffalo a nod.
Maureen O'Hara thought her first western "would be forgettable, but it turned out to be one of the biggest moneymakers 20th Century-Fox had that year" and that Joel McCrea although "a very nice man, a good actor, but not rugged like Duke or Brian Keith". He's likeable, however and as usual gives the film heart.