Review By Kamal K
twisting noir-melodrama of middle class fear and broken aspirations, with a first half built from elaborate flashbacks and a second half from a strange, convoluted revenge plot involving disguise and cinematic recreations of past crimes (bridging the gap between madhumati and om shanti om?), all grounded by rekha as a very sympathetic femme fatale and amitabh as a good but flawed man who can only understand the truth of his life when he's drunk (and forgets it the next morning when sober).
If i don't rate this higher it's because it ultimately goes too far in condemning the rekha character's actions (though it does give her a happy ending); realistically there are enough extraordinary sequences and such a unique emotional focus that i'm surprised this isn't more of a cult film.
twisting noir-melodrama of middle class fear and broken aspirations, with a first half built from elaborate flashbacks and a second half from a strange, convoluted revenge plot involving disguise and cinematic recreations of past crimes (bridging the gap between madhumati and om shanti om?), all grounded by rekha as a very sympathetic femme fatale and amitabh as a good but flawed man who can only understand the truth of his life when he's drunk (and forgets it the next morning when sober).
If i don't rate this higher it's because it ultimately goes too far in condemning the rekha character's actions (though it does give her a happy ending); realistically there are enough extraordinary sequences and such a unique emotional focus that i'm surprised this isn't more of a cult film.