I have not read any of the works of prolific Hungarian writer Peter de Polnay and confess to being intrigued as to how his 'Chains of Pity' has, in Jean-Claude Carriere's adaptation, become 'Julie Gluepot'. Strange indeed are the ways of film!
I cannot speak for the original but this is essentially a Rom-Com featuring the misadventures of two people who are obviously destined to be together despite having existing partners. Jean-Luc is engaged to his boss's daughter who is a high maintenance pain in the neck so no great loss there while Julie's abusive husband is soon disposed of, literally!
This is an endearing, engaging piece with a some comic moments typical of Carriere but like so many of its type doesn't really add up to much. This is really all about Jean-Claude Brialy as Jean-Luc and Marlene Jobert as Julie. He is wonderfully bewitched, bothered and bewildered throughout and her blitheness of spirit is irresistible. Their comedy timing is perfect and their chemistry is palpable. Elegant Alexandra Stewart does her best with the rather thankless role of Delphine, his affianced.
This is the kind of film that is usually referred to by critics as being 'very French' and with Philippe de Broca at the helm has plenty of Gallic quirkiness and charm. This is guaranteed to entertain as long as one does not approach it with too many expectations. Goes down well with a glass or two of red wine, preferably French!
I cannot speak for the original but this is essentially a Rom-Com featuring the misadventures of two people who are obviously destined to be together despite having existing partners. Jean-Luc is engaged to his boss's daughter who is a high maintenance pain in the neck so no great loss there while Julie's abusive husband is soon disposed of, literally!
This is an endearing, engaging piece with a some comic moments typical of Carriere but like so many of its type doesn't really add up to much. This is really all about Jean-Claude Brialy as Jean-Luc and Marlene Jobert as Julie. He is wonderfully bewitched, bothered and bewildered throughout and her blitheness of spirit is irresistible. Their comedy timing is perfect and their chemistry is palpable. Elegant Alexandra Stewart does her best with the rather thankless role of Delphine, his affianced.
This is the kind of film that is usually referred to by critics as being 'very French' and with Philippe de Broca at the helm has plenty of Gallic quirkiness and charm. This is guaranteed to entertain as long as one does not approach it with too many expectations. Goes down well with a glass or two of red wine, preferably French!