The genius of Edgar Allan Poe lies in his ability to create atmosphere and to draw us in with the power of his magically evocative language. As not a great deal happens in his stories and his characters are thinly drawn, film adaptors feel obliged to invent, expand, elaborate and embellish and this, the last of Roger Corman's versions of Poe, is certainly no exception. The liberties taken and the additions made by Robert Towne are too numerous to mention and include mesmerism and a hint of necrophilia!
The major change is that the marriage between Verden Fell and his second wife, Lady Rowena, is based upon love and not mutual loathing. Their characters have been fleshed out in the forms of Vincent Price as Fell and the lovely Elizabeth Shepherd as Rowena. Unfortunately Mr. Price's persona and air of mystery are unable to compensate for the fact that he is simply too long in the tooth for the role whilst Rowena's freedom of spirit and sensuality make her overpowering attraction to him faintly ludicrous. It is of course highly unlikely that the film would have received financial backing had Mr. Price not been in it.
As one has come to expect from Mr. Corman this film has excellent production values and art direction and is aided by a strong supporting cast.
Poe died in comparative poverty but his works have supplied a framework by which film-makers have enriched themselves. Mr. Corman especially has helped keep Poe's name alive but one must never lose sight of the original stories which remain, of their type, unparalleled.
The major change is that the marriage between Verden Fell and his second wife, Lady Rowena, is based upon love and not mutual loathing. Their characters have been fleshed out in the forms of Vincent Price as Fell and the lovely Elizabeth Shepherd as Rowena. Unfortunately Mr. Price's persona and air of mystery are unable to compensate for the fact that he is simply too long in the tooth for the role whilst Rowena's freedom of spirit and sensuality make her overpowering attraction to him faintly ludicrous. It is of course highly unlikely that the film would have received financial backing had Mr. Price not been in it.
As one has come to expect from Mr. Corman this film has excellent production values and art direction and is aided by a strong supporting cast.
Poe died in comparative poverty but his works have supplied a framework by which film-makers have enriched themselves. Mr. Corman especially has helped keep Poe's name alive but one must never lose sight of the original stories which remain, of their type, unparalleled.