Whereas Jacques Rivette's despairing 'La Religieuse' had been shot in incongruously pretty sixties Eastmancolor, this laconic but wryly good-humoured female road movie - like Ingmar Bergman's Persona' - gains much of it's seductive visual impact from being shot in coolly glacial monochrome that looks like what you'd have got if Vermeer had worked in charcoal.
Similarly, like the Scandinavian good looks of Liv Ullman and Bibi Andersson in Bergman's film, 'Ida' is fascinating to watch throughout simply for the strong Polish features of Agata Kulesza as the chain-smoking 'Red Wanda' and the button eyes of Agata Trzebuchowska in the title role.
Similarly, like the Scandinavian good looks of Liv Ullman and Bibi Andersson in Bergman's film, 'Ida' is fascinating to watch throughout simply for the strong Polish features of Agata Kulesza as the chain-smoking 'Red Wanda' and the button eyes of Agata Trzebuchowska in the title role.