One of Martin Scorsesse's Picks, while Combing the "Republic" Archives, Destined for Restoration, and Therefore Reconsideration.
The Film Impresses with Luscious Visuals, a Proven Stalwart Plot of Brother Against Brother (Cain & Able) and a Jump-Starting Broderick Crawford in Act II.
A Good Sleazy and Slimy Lead with John Carrol and a Spunky Slippery "Tramp-Singer" Constance Dowling Add the Dark-Side Duo to the Mix of Good v Evil Melodrama.
There's a Heavy-Handedness to some Religiosity like a Church-Beam of Light Announcing a Revelation and a Prayer Redemption Asked of the Cross.
Dirges on the Hammond from the "Diagnosed a Death Sentence" Good -Guy Accompanies the Doomed Situation of a Dying Man.
Soon to be Dead-Guy is the Victim of a Plot to Inherit His Millions by His Brother in Cahoots with His Lover to Collect the Dough.
His Lover is Played by Vera Ralston, Once Rumored to be the "Worst Actress in Hollywood", but She's Not All That, just Burdened with a Heavy Czech Accent.
The Movie is Better than Average of its Type with a Sumptuous Visual Palette and some Good, if Cliched Characters.
Note...Constance Dowling's night-club Rip-Off, complete with a black satin clinging dress, of Rita Hayworth in "Gilda" (1946) is a high-light.
The Film Impresses with Luscious Visuals, a Proven Stalwart Plot of Brother Against Brother (Cain & Able) and a Jump-Starting Broderick Crawford in Act II.
A Good Sleazy and Slimy Lead with John Carrol and a Spunky Slippery "Tramp-Singer" Constance Dowling Add the Dark-Side Duo to the Mix of Good v Evil Melodrama.
There's a Heavy-Handedness to some Religiosity like a Church-Beam of Light Announcing a Revelation and a Prayer Redemption Asked of the Cross.
Dirges on the Hammond from the "Diagnosed a Death Sentence" Good -Guy Accompanies the Doomed Situation of a Dying Man.
Soon to be Dead-Guy is the Victim of a Plot to Inherit His Millions by His Brother in Cahoots with His Lover to Collect the Dough.
His Lover is Played by Vera Ralston, Once Rumored to be the "Worst Actress in Hollywood", but She's Not All That, just Burdened with a Heavy Czech Accent.
The Movie is Better than Average of its Type with a Sumptuous Visual Palette and some Good, if Cliched Characters.
Note...Constance Dowling's night-club Rip-Off, complete with a black satin clinging dress, of Rita Hayworth in "Gilda" (1946) is a high-light.