The High-Light of this "First-Year" of the All-Talkie Hollywood in Renowned Director Sternberg Film is the Harlem Night-Club.
This Takes Place in the First Half and while the Remainder of this Gangster-Romance is Peppered with a Few Interesting Flourishes,
None Equate the Impressive Opening and Once the Movie Gets to Prison the Film is Absent Sternberg's Signature Touches.
In Face the Movie Grinds to a Halt and is just Uninteresting Banter and Prison's Inanimate Existence.
The Dialog Deliveries are Pause Laden, Rhythmic Readings that are Stiff, Laborious, and so Wearily Dated as to be Painful.
Fay Wray is Hardly a Presence, Richard Arlen is OK, and George Bancroft (Oscar Nominated) is Domineering but Hardly Special.
Overall, a Curiosity and Film Historians Should Give it a Look for Context and the Director's Complete Filmography.
But Casual Movie Fans and Seekers of some "Old-Stuff" are Likely to be Bored to Death and Very Disappointed.
This Takes Place in the First Half and while the Remainder of this Gangster-Romance is Peppered with a Few Interesting Flourishes,
None Equate the Impressive Opening and Once the Movie Gets to Prison the Film is Absent Sternberg's Signature Touches.
In Face the Movie Grinds to a Halt and is just Uninteresting Banter and Prison's Inanimate Existence.
The Dialog Deliveries are Pause Laden, Rhythmic Readings that are Stiff, Laborious, and so Wearily Dated as to be Painful.
Fay Wray is Hardly a Presence, Richard Arlen is OK, and George Bancroft (Oscar Nominated) is Domineering but Hardly Special.
Overall, a Curiosity and Film Historians Should Give it a Look for Context and the Director's Complete Filmography.
But Casual Movie Fans and Seekers of some "Old-Stuff" are Likely to be Bored to Death and Very Disappointed.