As many have noted, the ending confrontation s terrific. And the opening set-up --a hit man and his sidekick getting double-crossed by their boss, and having to hide out while they try to come up with an alternative getaway plan -- is also promising. But the long muddled middle drags the movie down to a non-classic level; the plot moves dutifully from point-to-point without generating much tension or interest in the mostly stoic characters. If you're a Jo Shishido aficionado, be aware that there were better vehicles for him -- in particular, this is not up to the level of Cruel Gun Story, Branded to Kill, or Youth of the Beast. Not a bad film, but from clips of the (admittedly great) ending and the cool title some have tried to portray this as the summit of Japanese noir, which it definitely is not.
Review of A Colt Is My Passport
