Well done and engaging, but audiences are less tolerant than critics of the intricate but empty and obscure ending--which shows in the chasm between the critics vs. Audience ratings. More often than not I fall in with the critics, but in this case, I think it's a case of defending art for art's sake. It may be unfair to go so far as to put it in the Jackson Pollock "drip" pile, but it's in the same barn. Yeah, it's better than the truckloads of horror/rom-com schlock being shoveled out our cinema's projectors, but it's a change of pace, and others might see something I didn't--but I doubt it.