KBS Productions paid for the title, but not the plot, of Doyle's 1st Holmes story. Instead, and I might never have known this if not for some helpful contributor to the IMDB, they adapted-- unofficially (and presumably, UNPAID!), Belgian author Stanislas-André Steeman's 1931 detective novel "Six Hommes Morts". I've looked around, and I haven't yet found any evidence that this novel, published in French, has ever been translated into English. However, I've just learned it has been adapted to film at least 4 times, with this being the 1st version. The others were "THE RIVERSIDE MURDERS" (UK / 1935), "LE DERNIER DES SIX" (France / 1941) and "L'inspecteur Wens: SIX HOMMES MORTS" (an episode of the 1975 French anthology TV series, "Les grands détectives")! Now I'm interested in tracking those down for comparison.
Physically, Reginald Owen reminds me a bit of a young Ray Milland (or, a bit, of stage actor William Gillette). He may not look like the traditional idea of Holmes, but thanks to the script, he certainly SEEMD like him, making all sorts of amazing observations that escape the notice of Inspector Lestrade and Dr. Watson (who's mainly here as the audience-identification character, for Holmes to explain the plot to). Owen fares better as Holmes than he did as Watson in Fox's "SHERLOCK HOLMES" only 6 months earlier, while Alan Morbray, who was Scotland Yard inspector Colonel Gore-King in that, returns here as Lestrade.
I've seen this movie at least 4 times now, and have enjoyed it more with each viewing. Part of it is the slowly-developing plot, part is seeing some of the wonderful character actors of the period who I've come to recognize from other films turning up. Among them are Anna May Wong (who once played Fu Manchu's daughter), Halliwell Hobbes (who was in several Rathbone HOLMES films), Olaf Hytten (ditto; he also played "Sheerluck Jones" in the insane comedy short "Lost In Limehouse", which came out only a month before this), and Billy Bevan (a policeman in "Dracula's Daughter", he serves a comic-relief role as a tavern customer, similar to Herbert Mundin in the earlier Clive Brook film).
Given the similarities to "The Five Orange Pips" by Doyle, "Six Dead Men" by Steeman, or "Ten Little Indians" by Agatha Christie, I have to wonder WHICH story Christie might have been borrowing from when she wrote HER novel several years after this!
I only wish someone could locate a complete print of this and do a proper restoration, as between the poor picture and sound quality, and all the words missing due to frequent cuts, this is in almost as bad shape as Raymond Massey's "THE SPECKLED BAND". The screenplay here would have made an excellent installment in the Universal HOLMES series with Rathbone; if it had been, it would have been fully restored by now, as those 12 films were!
Physically, Reginald Owen reminds me a bit of a young Ray Milland (or, a bit, of stage actor William Gillette). He may not look like the traditional idea of Holmes, but thanks to the script, he certainly SEEMD like him, making all sorts of amazing observations that escape the notice of Inspector Lestrade and Dr. Watson (who's mainly here as the audience-identification character, for Holmes to explain the plot to). Owen fares better as Holmes than he did as Watson in Fox's "SHERLOCK HOLMES" only 6 months earlier, while Alan Morbray, who was Scotland Yard inspector Colonel Gore-King in that, returns here as Lestrade.
I've seen this movie at least 4 times now, and have enjoyed it more with each viewing. Part of it is the slowly-developing plot, part is seeing some of the wonderful character actors of the period who I've come to recognize from other films turning up. Among them are Anna May Wong (who once played Fu Manchu's daughter), Halliwell Hobbes (who was in several Rathbone HOLMES films), Olaf Hytten (ditto; he also played "Sheerluck Jones" in the insane comedy short "Lost In Limehouse", which came out only a month before this), and Billy Bevan (a policeman in "Dracula's Daughter", he serves a comic-relief role as a tavern customer, similar to Herbert Mundin in the earlier Clive Brook film).
Given the similarities to "The Five Orange Pips" by Doyle, "Six Dead Men" by Steeman, or "Ten Little Indians" by Agatha Christie, I have to wonder WHICH story Christie might have been borrowing from when she wrote HER novel several years after this!
I only wish someone could locate a complete print of this and do a proper restoration, as between the poor picture and sound quality, and all the words missing due to frequent cuts, this is in almost as bad shape as Raymond Massey's "THE SPECKLED BAND". The screenplay here would have made an excellent installment in the Universal HOLMES series with Rathbone; if it had been, it would have been fully restored by now, as those 12 films were!